Phosphorescence August 2022 featured poets:
Abhijit Sarmah and Annemarie Ní Churreáin
VIRTUAL PROGRAM
This virtual program is free to attend. Registration is required.
To Emily Dickinson, phosphorescence, was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Poetry Reading Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. The 2021 Series will be a virtual event to ensure the health and safety of participants. While we are disappointed not to gather together in Amherst, we are excited to connect with a global community of friends and writers. Join us on the last Thursdays of each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.
About this month’s poets:
Abhijit Sarmah is a poet and researcher of global indigenous writing, with particular focus on Native American women writers and literatures from Northeast India. His work is published or forthcoming in Lunch Ticket, The Albion Review, Glassworks Magazine, GASHER Journal, Rigorous Magazine, South 85Journal, The Roadrunner Review and others.
Annemarie Ní Churreáin is a poet from the Gaeltacht region of northwest Ireland. Her publications include Bloodroot (Doire Press, 2017), Town (The Salvage Press, 2018) and The Poison Glen (The Gallery Press, 2021). She is a recipient of the Arts Council’s Next Generation Artist Award and a co-recipient of The Markievicz Award. Ní Churreáin has written on various care institutions in Ireland including mother and baby homes, state industrial schools, orphanages and hospitals. A former literary fellow of Akademie Schloss Solitude and The Jack Kerouac House of Orlando, Ní Churreáin currently lectures at the Yeats Academy of Arts, Design and Architecture, Atlantic Technological University, and IT Sligo.
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Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax deductible.
Dolores Hayden, urban historian and poet, is professor emerita at Yale University. Her books on the American landscape include The Power of Place: Urban Landscapes as Public History and Building Suburbia. Her poems appear in many journals and anthologies including Poetry, Raritan, Ecotone, Yale Review, The Common, and Best American Poetry. She is the author of three poetry collections: American Yard, Nymph, Dun, and Spinner, and Exuberance, set in the earliest years of American aviation when daredevil pilots—women and men—thrilled spectators who had never seen an airplane. 
Stacy Szymaszek is the author of the books Emptied of All Ships (2005), Hyperglossia (2009), hart island (2015), Journal of Ugly Sites and Other Journals (2016), which won the Ottoline Prize from Fence Books and was nominated for a Lambda Literary Award in 2017, and A Year From Today (2018). Her books Famous Hermits and The Pasolini Book will be published in 2022. She is the recipient of a 2014 New York Foundation for the Arts Fellowship in Poetry, and a 2019 Foundation for Contemporary Arts grant in poetry. Szymaszek was the Director of The Poetry Project at St.Mark’s from 2007-18. Since then she was the Hugo Visiting Writer at the University of Montana-Missoula 2018-19, Poet-in Resident at Brown University, and Visiting Poet for the Fire Island Artist Residency. She has been a mentor for the Queer Art Mentorship, visiting faculty for Naropa University’s Summer Writing Program, and workshop teacher for Woodland Pattern, The Poetry Project, and Wendy’s Subway. She currently lives in the Hudson Valley region of NY. 
Marta McDowell teaches landscape history and horticulture at the New York Botanical Garden and consults for private clients and public gardens. Her latest book, Unearthing The Secret Garden explores the plants and places that inspired Frances Hodgson Burnett to write the classic children’s book. Timber Press also published Emily Dickinson’s Gardening Life, The World of Laura Ingalls Wilder, All the Presidents’ Gardens, and Beatrix Potter’s Gardening Life. All the Presidents’ Gardens made The New York Times bestseller list and won an American Horticultural Society book award in 2017. Beatrix Potter’s Gardening Life won the Gold Award from the Garden Writers Association and is now in its eighth printing. Her books have been translated into Chinese, Japanese and Korean. She is the 2019 recipient of the Garden Club of America’s Sarah Chapman Francis Medal for outstanding literary achievement. 
A Daisy for Dickinson: 
Meg Kearney’s most recent poetry collection is All Morning the Crows, winner of the 2020 Washington Prize, which spent seven months on SPD’s poetry bestseller list after its 2021 release. Other collections include An Unkindness of Ravens and Home By Now, winner of the 2010 PEN New England LL Winship Award. Meg is also author of three critically acclaimed novels-in-verse for teens and award-winning picture book. She has taught poetry at The New School University, and is Founding Director of the Solstice MFA in Creative Writing Program in Massachusetts. Her poetry has been featured on Poetry Daily, Ted Kooser’s “American Life in Poetry” series, and Garrison Keillor’s “A Writer’s Almanac,” and has been published in myriad anthologies. A native New Yorker, Meg now lives in New Hampshire. 
Denise Low, Kansas Poet Laureate 2007-09, is winner of the Red Mountain Press Editor’s Choice Award for Shadow Light (Red Mountain Press). Other books include The Turtle’s Beating Heart: One Family’s Story of Lenape Survival (U. of Nebraska Press), Wing (Red Mountain), and A Casino Bestiary: Poems (Spartan Press). She edited a selection of poems by William Stafford in an edition with essays by other poets and scholars, Kansas Poems of William Stafford (Woodley). Low is a founding board member of Indigenous Native Poets. She is past board president of the Associated Writers and Writing Programs. She has won fellowships from the Kansas Arts Commission and recognition from the Poetry Society of America, The Circle -Best Native American Books, Roberts Foundation, Lichtor Awards, and NEH. Low has an MFA from Wichita State U. and Ph.D. from KU. She teaches for Baker University’s School of Professional and Graduate Studies. 
Dr. Tara Betts is the author of Break the Habit, Arc & Hue, and the forthcoming Refuse to Disappear. In addition to working as an editor, a teaching artist, and a mentor for other writers, she has taught at several universities. She is the Inaugural Poet for the People Practitioner Fellow at University of Chicago, an Artist in Residence at Northwestern University’s English Department, and founder of Whirlwind Learning Center. Tara can be found on twitter at @tarabetts. Her poetry has appeared in numerous anthologies and journals, including The Breakbeat Poets, Essence magazine, and Poetry Magazine.
Dr. Shauna M. Morgan is a poet-scholar and Associate Professor of creative writing and Africana literature at the University of Kentucky where she also serves as Director of Equity and Inclusion Initiatives in the Center for the Enhancement of Learning and Teaching (CELT). Before joining the University of Kentucky, Morgan was tenured on the faculty of English at Howard University where she taught from 2012-2019. Both her scholarly work and her poetry are deeply engaged with traditions of global Black art and culture. Her poetry has appeared in A Gathering Together, Interviewing the Caribbean, A Literary Field Guide to Southern Appalachia, ProudFlesh: New Afrikan Journal of Culture, Politics & Consciousness, among other periodicals and anthologies. Morgan’s chapbook, Fear of Dogs & Other Animals, was published by Central Square Press.
April’s Phosphorescence also features guest host, Lisa Pegram. Pegram is a writer, educator, literary publicist and acquisitions editor. Her chapbook Cracked Calabash was published by Central Square Press and she is contributing author of The Next Verse Mixtape vol. 1. She has over 20 years of experience in high-level arts integration program design for such organizations as the Smithsonian Institute, Corcoran Gallery of Art and National Geographic. Passionate about the arts as a tool for activism, she served as DC WritersCorps program director for a decade, and as co-chair of United Nations affiliate international women’s conferences in the US, India and Bali. As a publishing professional, her mission is to amplify and celebrate the voices and stories of BIPOC authors. Find our more at https://ladypcoq.wordpress.com/
Barbara DeCoursey Roy lives near St Louis, Missouri. Her work has been published in The Gal-way Review, Headstuff, Skylight 47, Pendemic, and Popshot Quarterly. Barbara collaborated on How Bright The Wings Drive Us, which won first prize in the 2021 Dreich Alliance Chapbook competition. She is a founding member of the international writing group Poets Abroad. 
Maeve McKenna is a poet living in Sligo, Ireland. Her poetry has been placed in several international poetry competitions, published in Mslexia, Orbis, Sand Magazine, Fly on the Wall, Channel Magazine among others and widely online. Maeve was a finalist in the Jacar Press Eavan Boland Mentorship Award 2020, and third in the Canterbury Poet of The Year in 2021. Her debut pamphlet will be published in February, 2022, by Fly On The Wall Press.
Morag Anderson is a Scottish poet based in Highland Perthshire. Her debut chapbook, Sin Is Due to Open in a Room Above Kitty’s (Fly on the Wall Press, 2021), explores human connections—concealed violence, love, and everything in between. Morag’s poetry has been published in many literary journals and anthologies.
Added Wald, “In addition to providing innovatively designed program space, the Carriage House will serve as a clear signal that the Museum is pivoting in important ways toward the public, is expanding Emily Dickinson’s outreach to the world from her home ground, and is committed to welcoming new Dickinson enthusiasts and tourists to Amherst.”