Photo of donors John and Elizabeth Armstrong standing in front of a bookshelf

Press Release:
Armstrong Carriage House Gift

THE EMILY DICKINSON MUSEUM RECEIVES $600,000 COMMITMENT FOR RECONSTRUCTION OF THE EVERGREENS CARRIAGE HOUSE

Challenge gift from John and Elizabeth Armstrong kicks off major $3.5M 20th Anniversary fundraising effort, Twice as Bold, in support of Museum’s long range plan

Photo of donors John and Elizabeth Armstrong standing in front of a bookshelfWe invite you to join us by responding to the Armstrongs’ challenge to be part of the Twice as Bold initiative by making a gift to the Museum before June 30 in support of its program and core mission, in celebration of the 20th Anniversary, and in honor of Emily Dickinson and her enduring relevance.

DONATE

(AMHERST, Mass., February 9, 2022) – The Emily Dickinson Museum today announced a major pledge of $600,000 from former Board members and long-time friends John and Elizabeth Armstrong for the design and reconstruction of the Carriage House that once stood to the east of The Evergreens, the home of Emily Dickinson’s brother Austin and his wife Susan. The project flows from a recently-completed long range plan, which maps programmatic and capital enhancements over the next decade at the Museum’s historic downtown Amherst location. By significantly expanding access to the Museum and its programs for both onsite and online visitors, the changes firmly establish the Museum as the premier center for the study and celebration of Dickinson’s life and work, and as a source and site of inspiration for new generations of poets, artists, writers, and thinkers.

The Armstrongs’ commitment is the largest received to date in the effort to raise $3.5 million in operating, program, and capital support by the end of the Museum’s 20th Anniversary festivities, which kick off next year and run through the summer of 2024. The initiative, called Twice as Bold after one of Dickinson’s poems, aims to raise awareness and support for the Museum at a pivotal time in its history. Gifts from other Museum stakeholders will be sought to meet and amplify the Armstrongs’ generous start. “Elizabeth and I are delighted to be able to pledge our support to this important project,” states John Armstrong, “Emily Dickinson’s poetry and the place she called home have proven themselves to be enduring gifts to the world. It is both our pleasure and responsibility to give back, and to invite others at every level to join us.”

The reconstructed Evergreens Carriage House–scheduled for completion in early 2024–will initially serve as a much-needed site for visitor welcome, orientation, and services while a third and final phase of Dickinson Homestead restoration concludes. In the longer term, the Carriage House will be dedicated to student and visitor learning and engagement. Initial design plans call for reconstructing the historic appearance of the exterior of the Carriage House as faithfully as possible while optimizing interior functions and flow. In addition to this and the Homestead projects, the Museum’s plans include restoration of The Evergreens and the surrounding landscape and gardens, as well as significant enhancements to the Museum’s public and educational program offerings, in which tens of thousands of virtual visitors from around the world have participated during the pandemic.

“It is fitting that John and Elizabeth Armstrong have started us off with this truly inspiring challenge gift,” stated the Museum’s Executive Director, Jane Wald, “Their unwavering dedication before the Museum’s formal beginning twenty years ago has been a catalyst for the exponential impact the Emily Dickinson Museum can have as the true and generative center of the life and work of one of this country’s greatest poets. They are ever and always willing to lead by example.”

Lithograph aerial view of Amherst with Evergreens and HomesteadAdded Wald, “In addition to providing innovatively designed program space, the Carriage House will serve as a clear signal that the Museum is pivoting in important ways toward the public, is expanding Emily Dickinson’s outreach to the world from her home ground, and is committed to welcoming new Dickinson enthusiasts and tourists to Amherst.”

The Armstrongs chose Amherst as their new home in 1995 after John’s retirement from IBM, where he served for 30 years and was a vice president for science and technology and director of research. Their involvement with the Museum began when Elizabeth (Lise to family and friends) volunteered her time and talent as a seasonal guide at The Evergreens. Both John and Elizabeth served as founding members of the Board of Governors when the Homestead and Evergreens properties merged to form the Museum in 2003. They have continued to be involved in the Museum’s leadership, with John serving as Board Chair from 2013 to 2015, and Elizabeth a long-time and valued member of the Development Committee.

“We’ve always been proud of our association with the Museum, recognizing its importance to our regional community and now–through the wonders of technology–to the world.” stated Elizabeth, adding “We’ve been drawn over the years to supporting singular projects that open multiple possibilities for the Museum. The Carriage House is just such a project…clearing the way for other campus improvements and for enriching the visitor experience.”

The Museum is currently closed to the public while it completes the second phase of a three-part restoration project at the Homestead. Its much-anticipated reopening later this year will mark the start of the Museum’s 20th Anniversary celebration.

For more information about the Museum’s plans and fundraising effort, visit https://www.emilydickinsonmuseum.org/twiceasbold/

For images, please visit: bit.ly/ArmstrongGiftEDMPhotos

ABOUT THE EMILY DICKINSON MUSEUM

The Emily Dickinson Museum is dedicated to sparking the imagination by amplifying Emily Dickinson’s revolutionary poetic voice from the place she called home.

The Museum comprises two historic houses—the Dickinson Homestead and The Evergreens—in the center of Amherst, Massachusetts, that were home to the poet (1830-1886) and members of her immediate family during the nineteenth and early twentieth centuries. The Museum was created in 2003 when the two houses merged under the ownership and 501(c)(3) status of the Trustees of Amherst College. The Museum is overseen by a separate Board of Governors and is responsible for raising its own operating, program, and capital funds.

The Emily Dickinson Museum is a member of Museums10, a collaboration of ten museums linked to the Five Colleges in the Pioneer Valley—Amherst, Hampshire, Mount Holyoke, and Smith Colleges, and the University of Massachusetts Amherst.

Emily Dickinson's handwriting on a letter and envelope

Poetry Discussion Group:
Spring Series

Emily Dickinson's handwriting on a letter and envelopeJoin us for a lively virtual discussion of Emily Dickinson’s poetry and letters, meeting once a month from February to May. This program is designed to welcome newcomers and seasoned readers of Dickinson alike. 

  • In February, meet-and-greet with fellow participants, share Dickinson stories, and learn from the Museum (and one another) about the poet’s publication story, editions of her work, and resources.
  • March through May’s sessions are facilitated by guest scholars, who will lead the group in discussion following a talk about their work. Brief reading handouts of 4-8 poems and/or letters will be distributed prior to the month’s program. May’s session will last an additional 15 minutes, giving the group time to celebrate, say goodbye, and reflect on the season’s poems.
Topics and Leaders:
  • February: Introduction with the Emily Dickinson Museum
  • March: Dickinson’s Natural Music with Gerard Holmes
  • April: Dickinson’s Long-Histories of Environmental Change with Ryan Heryford
  • May: Dickinson and Her Surprisingly Twenty-First Century Art of Trans Poetics with Joy Ladin

Please review full descriptions and bios below.

Format

As a registrant, you are signing up to join a small group of regular participants for four 90-minute zoom sessions. Meetings are participatory, with video and audio encouraged. Because we want everyone to feel comfortable speaking, sessions will not be recorded. The program is designed for adult audiences (18+).

Registration

We are offering an identical program for a Wednesday and Friday group. Please review the dates carefully. Because space is limited, we hope only those who can commit to attending will register. Refunds are not available for this program.

Wednesday Group, $75 program fee (inclusive of all sessions),  limited to 25 participants
February 23, 6-7:30 ET
March 23, 6-7:30 ET
April 13, 6-7:30 ET
May 11, 6-7:45 ET

Friday Group, $75 program fee (inclusive of all sessions), limited to 25 participants
February 25, 12-1:30 ET
March 25, 12-1:30 ET
April 15, 12-1:30 ET
May 13, 12-1:45 ET

Reservations are made on a first-come, first-served basis. While our Wednesday group is now closed, we have just a few spaces left in our Friday group. Please learn more about registration and request a space via this form.

Questions: Don’t hesitate to reach out at edmprograms@emilydickinsonmuseum.org with any questions about the program.

MARCH

Emily Dickinson’s Natural Music 
Emily Dickinson knew music well as a performer and a listener in parlors, churches, and other indoor spaces. But she also spent a lot of time outdoors, in the garden, walking her beloved dog Carlo, and exploring Amherst. Like many other writers of her time, Dickison wrote of natural sounds as having musical qualities. Wind, rain, cicadas, and of course birds all show up in her poems as sources of music, and as inspiration for her own distinctive poetic music. We will discuss how poets important to Dickinson wrote about the sounds of the natural world, and how Romantic musical composers and performers built sounds of nature into their work, before exploring together some of Dickinson’s poems that treat natural sounds musically.

Gerard Holmes completed a PhD in English Literature at the University of Maryland, College Park in 2020, with a dissertation titled “‘Discretion in the Interval’: Emily Dickinson’s Musical Performances.” He has published in The Emily Dickinson Journal and Reception, co-edited a 2021 special issue of Women’s Studies with the theme: New Directions in Dickinson and Music,” and contributed a chapter to The Oxford Handbook to Emily Dickinson, forthcoming from Oxford University Press in April 2022. In addition to teaching writing and literature, he is a nonprofit administrator, program manager, and fundraiser.

APRIL

“…an instant’s act:” Dickinson’s Long-Histories of Environmental Change
This discussion will consider the importance of Dickinson as a poet of the Anthropocene, that proposed geologic epoch in which human activity has rendered irreversible transformations to our global climate and conditions for life on earth.  While Dickinson was certainly not aware of climate change, nor she could have possibly predicted our current ecological precarity, we will explore particular Dickinson poems that focus on geologic time, wide-scale environmental transformations, and human/nonhuman entanglements, as sites to better consider our own individual, communal and species-based relations to contemporary environmental issues.

Ryan Heryford is Associate Professor of Environmental Literature in the Department of English at California State University East Bay, where he teaches courses in nineteenth and twentieth century American literature, with a focus in cultural narratives of environmental justice.  Recent publications can be found in ISLE: Interdisciplinary Studies of Literature and the Environment, The Mark Twain Annual, and The Emily Dickinson Journal.

MAY

Emily Dickinson and Her Surprisingly Twenty-First Century Art of Trans Poetics
As those who love her know, Dickinson often writes first-person poems describing states of being that don’t fit socially recognized categories, and which, as a result, have few terms or poetic conventions for expressing them. What kind of person, for example, would introduce themselves by saying “I am afraid to own a Body – / I am afraid to own a Soul,” or locates themselves in terms like these: “`Tis Miracle before Me – then – / `Tis Miracle behind – between”? Poets and scholars (including me) started using the term “trans poetics” – that is, poetic techniques for representing ways of being human that don’t fit conventional terms or categories – a little over a decade ago, to describe the growing body of work by transgender and nonbinary poets. But it didn’t long before critics began to realize that because “trans poetics” are required whenever poets represent unconventional ways of being human, the practice has a much longer lineage in American poetry, one that, as these examples show, reaches back at least to Emily Dickinson. In this discussion, we will examine a number of poems to see what Dickinson, in the middle of the nineteenth century, had already learned about the twenty-first century art of trans poetics.

Joy Ladin, who started leading classes on Dickinson’s poetry in the Homestead itself in the mid-1990s and has loved it every time, has been dubbed “the godmother of trans poetics.” She has published ten books of poetry, including National Jewish Book award-winner The Book of Anna, reissued by EOAGH Press, and just-published Shekhinah Speaks (Selva Oscura). She is also the author of a booklength study of Dickinson, Soldering the Abyss: Emily Dickinson and Modern American Poetry; a a memoir of gender transition, National Jewish Book Award finalist Through the Door of Life; and Lambda Literary and Triangle Award finalist, The Soul of the Stranger: Reading God and Torah from a Transgender Perspective. Episodes of her online conversation series, “Containing Multitudes,” are available at www.jewishlive.org/multitudes; links to her writings, readings, interviews and talks are at her website, joyladin.wordpress.com.

Twice as Bold Campaign

I took my Power in my Hand –
And went against the World –
’Twas not so much as David – had –
But I – was twice as bold –
(excerpt Fr660)

We invite you to be part of the Twice as Bold initiative by making a gift to the Museum in support of its program and core mission, in celebration of the 20th Anniversary, and in honor of Emily Dickinson and her enduring relevance.

DONATE

The Homestead garden. There are beautiful pink roses wrapping around a trellis.

During the Emily Dickinson Museum’s two-year closure, we opened a new chapter focused on the Museum’s evolving role as a site of unparalleled cultural significance and educational promise emanating from its mission to spark the imagination by amplifying Emily Dickinson’s revolutionary poetic voice from the place she called home. 

To fully realize and sustain this mission, the Museum has created a long range plan that empowers it to serve as the premier center for study, interpretation, creative expression, and celebration of Emily Dickinson’s life and legacy — to be “twice as bold.” Emily Dickinson’s worldwide resonance and the Museum’s tremendous growth in audience during the pandemic, demonstrates a clear path forward.

This new chapter and campaign, called Twice as Bold, prioritizes an expanded, fully restored, and accessible campus, leading-edge educational programs and resources, a singular visitor experience both onsite and online, and increased operational capacity for the Museum’s long-term sustainability. A first step in achieving this bold vision is a goal to raise $8 million for programmatic support and capital projects and $5.5 million in endowment by 2026.

The Emily Dickinson Museum is grateful to John and Elizabeth Armstrong and to Jane and Robert Keiter for leading the way in the Twice as Bold campaign. The Armstrongs’ kick-off challenge gift initiated in 2021 allowed the Museum to begin work on reconstructing The Evergreens’ Carriage House–critical space, first, for welcoming visitors, and ultimately for educational programming. And the Keiters’ endowment of the Museum’s directorship in 2022 has provided perpetual and budget-relieving support of the Museum’s core program and operating budget.

We invite you to be part of the Museum’s journey and the Twice as Bold campaign by making a gift to the Museum in support of its program and core mission support, in celebration of our 20th Anniversary, and in honor of Emily Dickinson and her enduring relevance. Additional funding opportunities are also available. 


FUNDING NEEDS AND OPPORTUNITIES                      

$8 Million in Outright Support and $5.5 Million in Endowment

  • Create an expanded, restored, and accessible campus
  • Develop and deliver leading-edge public and educational programs and resources
  • Design and provide a singular visitor experience both onsite and online  
  • Build permanent ongoing support for the Museum’s core programs and operations                                                                                                                                                

Five-Year Funding Needs and Opportunities 

Opportunities abound for donors at all levels to positively impact and help shape the Museum’s bright future. Priority projects and programs in need of investment and support over the next five years are framed by the Museum’s essential mission. Gifts or bequests of unrestricted endowment are most welcome, as they provide critical support to each and all of these areas.


SPARK THE IMAGINATION         $1.9M

Audience Engagement and Communication $650K
Two children explore Dickinson's bedroomDigital Capacity and Resource Development ($200K)
Virtual Program Hosting and Conferencing Upgrades ($100K)
Website Accessibility and User-Experience Updates ($50K)
New CRM (Constituent Relationship Management) System ($150K)
Graphic Identity / Branding Updates ($150K)

Teaching and Learning (K-12, College/University, Lifelong) $1.25M
Resource Development (curricula, teacher training modules, etc.) ($550K)
Undergraduate Internships and Graduate Fellowships ($275K)
Honoraria for Visiting and Teaching Artists, Writers, Scholars ($190K)
Scholarships for Visiting K-12 Schools and Teacher Training ($95K)
Poets and Writers Workshops and Classes (FY23+) ($140K)


AMPLIFY EMILY DICKINSON’S REVOLUTIONARY POETIC VOICE           $2.6M

Interpretation and Visitor Experience $800K

image of Youtube pageThematic Tour Development ($330K)
Self-Guided Map and Interactive Guide ($85K)
Orientation Film ($300K)
Wayfinding ($85K)

Public Programs and Events $1.8M
Poetry Programs $540K

Poetry Festival and Marathon  ($315K)
Phosphorescence Contemporary Poetry Series ($135K)
Poetry Discussion Groups ($90K)

Collections, Restoration, Landscape, and History Programs $270K
Dickinson Book Club Series ($90K)
Buildings, Grounds and Collections Presentations ($90K)
Behind the Scenes Collections / Restoration Series ($90K)

Community-Building Events $450K
Birthday Celebration ($30K)
Poetry Walk ($25K)
Reopening Events and Launch of Dickinson Days ($150K)
Tell It Slant Awards / 20th Anniversary Gala ($245K)

Visual and Performing Art Programs $540K
Dickinson in Performance Series ($135K)
Conservatory and Landscape Installations ($270K)
Dickinson in the World Podcast ($135K)



FROM THE PLACE SHE CALLED HOME                         $3.5M

Completion of Homestead Restoration $1.0MRendering of the Dickinson barn
Design Development ($150K)
Construction / Restoration ($700K)
Decorative Arts and Object Conservation ($150K)

Rebuild Evergreens Carriage House $600K
Design Development ($100K)
Construction ($400K)
Furnishings and Fittings ($100K)

Conserve and Restore The Evergreens $1.0M
Interior Conditions Assessment ($50K)
Treatment Plan Development ($100K)
Conservation and Restoration ($700K)
Decorative Arts and Object Conservation ($150K)

Restore Landscape and Dickinson Gardens $400K
Homestead Gardens restoration ($200K)
Evergreens Gardens restoration ($75K)
Other Landscape restoration ($125K)

Collections Stewardship $500K
Collections Rehousing ($400K)
Conservation ($100K)


ENDOWMENT FOR CORE PROGRAM AND OPERATIONS          $5.5M

By providing budget relieving support in perpetuity, endowment gifts in support of core program and operating expenses allow the Museum to sustain and deliver its mission long-term.

Figures are for annual cost over 5 years. Endowment gifts intended to name and/or directly support a specific project or program must cover 60% of associated costs. 

Hailee Steinfeld dressed in character as Emily Dickinson

Press Release:
Apple TV+ Gifts Set Pieces and Costumes to Museum

THE EMILY DICKINSON MUSEUM RECEIVES DONATION
OF SETS, PROPS AND COSTUMES
FROM APPLE TV+’s DICKINSON SERIES

The donation to the Museum made by Apple TV+ and wiip Productions includes over 300 items from the sets of Dickinson and over 100 costume pieces.

Hailee Steinfeld dressed in character as Emily Dickinson

(AMHERST, Mass., December 10, 2021) – The Emily Dickinson Museum today announced a major gift from the Apple TV+ and wiip Productions award-winning series Dickinson, of a full range of set pieces, costumes and props. The gift includes antique furniture and objects acquired by the show to furnish as authentically as possible the sets of the Dickinson residences, the Homestead and the Evergreens, as well as costumes worn by the principal actors. 

Created by Alena Smith, Dickinson is a half-hour comedy series that audaciously explores the constraints of society, gender and family from the perspective of the rebellious young poet, Emily Dickinson. Set in the 19th century, the series is a coming-of-age story that has helped the poet gain hero status among millennials. The series stars Hailee Steinfeld, Toby Huss, Ella Hunt, and Jane Krakowski, and has included guest appearances from Wiz Khalifa, John Mulaney, Zosia Mamet, and Nick Kroll. The third and final season began streaming on Apple+ on November 5, 2021.

The production worked closely with the Emily Dickinson Museum throughout its filming. During pre-production, various members of the production crew visited the Museum in Amherst, Mass., to study the architecture and floor plans of the two homes. Principal actors toured the Museum as they worked on inhabiting members of the Dickinson family and their circle. As the series unfolded, researchers and production staff regularly reached out to the Museum to track down details of family friends and acquaintances, the look and feel of nineteenth century Amherst, and the gardens and grounds, among other topics.

“I can’t imagine a more meaningful conclusion to the journey of making Dickinson than giving this gift to the Dickinson Museum,” said Creator and showrunner Alena Smith. “It is the greatest end to the story I wanted to tell, and makes me feel so proud that these pieces of our production will contribute to Emily’s legacy and help the Museum in its mission of deepening scholarly and historic preservation. I love that the show was able to introduce Emily to new generations around the globe, and that it will continue to help make the Museum a place of even more international prominence. Just to know that in 20 years fans can come to the Museum and see a lasting piece of the Dickinson world we built is amazing to me. It makes my heart sing.”

“The Dickinson show and the Museum share the goal of amplifying Emily Dickinson’s powerful and revolutionary poetic voice,” said Museum Executive Director Jane Wald, “and we’re thrilled that the show has introduced so many to that voice. This wonderful gift from Dickinson, AppleTV+, and wiip Productions is inspired by Dickinson’s poetic legacy–one that inspired the show in the first place and that endures not only here at her home but, as it should, throughout the world.”Photo of 3 Dickinson costumes from the series on mannequins

Antiques from the set of Dickinson are appropriate to the time period of the Dickinson residences that comprise the Museum and were sourced in the same ways the Museum would have done so to acquire appropriate objects for its collection. While these items from the show do not have Dickinson provenance, they will augment the Museum’s collection of original furnishings to imbue the rooms of the Museum with greater immersive power. Future visitors will encounter some of these objects in more fully furnished spaces and enjoy an expanded opportunity to engage with the trappings of daily life at the Homestead and The Evergreens. 

On December 10, 2021, the Emily Dickinson Museum presented a closer look at the items from the donation during the annual Emily Dickinson Birthday Celebration, which marked the 191st anniversary of the poet’s birth. Including interviews with production designers, as well as behind-the-scenes looks at the ongoing Homestead restoration, this virtual program drew a global audience from over 60 countries.

The Museum is currently closed while it is undergoing a major restoration project and will reopen in Spring 2022. 

For images, please visit: bit.ly/DickinsonGiftPhotosEDM

ABOUT THE EMILY DICKINSON MUSEUM

The Emily Dickinson Museum: The Homestead and The Evergreens is dedicated to sparking the imagination by amplifying Emily Dickinson’s revolutionary poetic voice from the place she called home.

The Emily Dickinson Museum is owned by the Trustees of Amherst College and overseen by a separate Board of Governors. The Museum is responsible for raising its own operating and capital funds. The Museum is proud to celebrate the bicentennial of Amherst College. The Dickinson family were intimately connected with Amherst College in its first 75 years, beginning with the poet’s grandfather, who helped to found the institution. The College was an early and lasting influence in the poet’s own life, playing an inestimable role in her early education and friendships, and later connecting her to an ever-widening local and global community.

The Emily Dickinson Museum is a member of Museums10, a collaboration of ten museums linked to the Five Colleges in the Pioneer Valley—Amherst, Hampshire, Mount Holyoke, and Smith Colleges, and the University of Massachusetts Amherst.

the Homestead lights are on at night time

Call for Submissions:
Phosphorescence Poetry Reading Series 2023

The 2023 Phosphorescence Poetry Reading Series schedule will be announced soon! 
Sign-up for our e-newsletter to be the first to know

The Emily Dickinson Museum is now accepting proposals for the 3rd year of our Phosphorescence Poetry Reading Series — a virtual event held monthly from May-October in 2023! This year, opportunities for reading on-site at the Emily Dickinson Museum and remotely will be available. Please make sure to select your preference in the submission form.

Produced by the Emily Dickinson Museum, the aim of Phosphorescence is to celebrate contemporary creativity that echoes Dickinson’s revolutionary poetic voice. The Series features established and emerging poets who represent the diversity of the flourishing contemporary poetry scene, and fosters community through poetry. The Series is a place to connect virtually over a shared love of language and an appreciation for Dickinson’s literary legacy.

Featured poets are promoted on the Museum’s event web page, through an event mailing list of roughly 18,000 addresses, and through the Museum’s social media. Each participating poet receives a $200 honorarium.

READINGS:
This program occurs at 6pm ET on a Thursday each month. Each reading may feature 1-3 poets. Readings are 15-25 minutes long on average per reader, though this may depend on other program components each month. Group submissions are strongly encouraged. Poets who submit alone will be paired with other poets if selected. Poets are welcome to promote sales of their books, and/or awareness of other media on the evening of the program. Poets should be prepared to engage in facilitated conversation and/or a Q&A after their readings on subjects including inspiration, craft, and Emily Dickinson.

SUBMISSION GUIDELINES:
Only submissions made using our online form and Dropbox folder will be considered. We will not accept email or paper submissions.
There is no fee to submit proposals.
Group submissions from up to 3 poets are accepted.

The following submission qualities are especially encouraged:

  • builds community
  • features BIPOC and/or LBGTQ+ voices
  • highlights a connection to Dickinson’s life and legacy
  • pushes poetic boundaries

SUBMISSIONS DUE: Sunday, February 12, 2023, 12pm ET.

TIMELINE
All submissions will be notified of their acceptance status by early April. Participating poets will be asked to sign a letter of agreement confirming participation on assigned dates.


View last year’s Phosphorescence Schedule

Watch Phosphorescence on Youtube

 

Archival poster for a lecture on "the real Emily Dickinson" given by Martha Dickinson Bianchi

The “Real” Emily Dickinson at 191
Wednesday, December 1, 4:30pm ET

VIRTUAL PROGRAM

Archival poster for a lecture on "the real Emily Dickinson" given by Martha Dickinson Bianchi

An illustrated talk and birthday celebration with Emily Dickinson Museum Director Jane Wald

CLICK HERE TO REGISTER for this free program.

During her lifetime, Emily Dickinson remained solidly and agreeably planted in Amherst—a known but ultimately withdrawn member of one of the town’s leading families, perhaps known better as a baker than as a poet. Following her death in 1886, the poet’s words came to light through the work of posthumous editors who sought to fill in the story for the public. Now, at the 191st anniversary of her birthday, Dickinson’s poetry speaks powerfully to readers all over the world, but her life seems even more contested in the popular imagination than ever before. Can we know “the real Emily Dickinson”? Would she want us to? Would we even want to? 

In this illustrated talk, Emily Dickinson Museum Executive Director Jane Wald evokes these fraught questions and controversies through an exploration of early biographer and editor Martha Dickinson Bianchi at the 100th anniversary of the poet’s birth, tracing interpretations through contemporary creative portrayals of the poet such as AppleTV’s ‘Dickinson’ starring Hailee Steinfeld, and right back to the ongoing preservation and interpretive work at the poet’s home in Amherst, Massachusetts.

This program is presented in partnership with the Amherst College Center for Humanistic Inquiry.

The cast of Apple TV's Dickinson in the parlor wearing Shakespearean costumes and florals

Dickinson’s 191st Birthday Celebration
Friday, December 10, 12pm ET

VIRTUAL PROGRAM
The cast of Apple TV's Dickinson in the parlor wearing Shakespearean costumes and florals

Image courtesy of Apple TV

REGISTER FOR THIS PROGRAM FOR FREE
or 
REGISTER FOR THIS PROGRAM WITH A DONATION

You are cordially invited to the Emily Dickinson Museum’s virtual celebration of the poet’s 191st birthday! On Friday, December 10, join us for an afternoon exploring behind-the-scenes at the Emily Dickinson Museum while we remain closed to the public for our biggest restoration project ever. We will toast to Dickinson’s enduring legacy, and share the ways the Museum is working to preserve her home and story. This program contains sneak-peeks at the new interiors you’ll see when we reopen in spring 2022, and we’ll also be making a BIG ANNOUNCEMENT with our friends over at Apple TV’s Dickinson! We can hardly wait to share it with you!

All are welcome to this free program but registration is required.

Give a Birthday Gift
It’s not a birthday party without gifts! If you’re looking to honor Emily Dickinson with a birthday present, please consider a donation to the Museum to support our free virtual programs which are made possible with your support. Gifts of all sizes are deeply appreciated.

DONATE

A crane lifts a painter up to the top of the Homestead

About Dickinson’s Birthday

Emily Dickinson, the middle child of Edward and Emily Norcross Dickinson, was born on December 10, 1830, in the family Homestead on Main Street in Amherst, Massachusetts. She celebrated 55 birthdays before her death in 1886. As an adult she wrote, “We turn not older with years, but newer every day.” (Johnson L379)

 

 

 

 

 

 

NEPM logo

Graphic for A Stranger in My Own Home

A Stranger in My Own Home:
Black Experiences Within the American Literary Canon
Tuesday, September 21, 7pm

Graphic for A Stranger in My Own Home: Black Experiences Within the American Literary Canon featuring all 7 poets

A panel co-curated by Black Writers Read and Faraday Publishing Company

Part of the 2021 Tell It Slant Poetry Festival:

 
Black voices and experiences have shaped American letters since the first arrival of enslaved Africans in 1619. The first Black woman to publish a book of poetry in what would become the United States, Phillis Wheatley, did so three years before the Declaration of Independence was written. All too often, however, these contributions and myriad others like them have been taught and viewed through the lens of academia and relegated to their own sections in libraries and bookstores. This panel, co-curated by Nicole M. Young (Black Writers Read) and Enzo Silon Surin (Faraday Publishing Company), engages some of the brightest Black poets of our time to consider their own experiences reading the canon, and writing poems to expand it. Moderators Nicole M. Young and Lisa Pegram will be joined by Melanie Henderson, Rage Hezekiah, Krysten Hill, and Brionne Janae for this reading and discussion.

REGISTER

 

About the artists:

Nicole_M_Young headshot

Nicole M. Young is a performer, poet, playwright, director, event producer/curator, and nonprofit professional with over 20 years of experience combined in these areas. Nicole has worked across various disciplines, including theatre, poetry, and classical music. Originally from Detroit, Michigan, Nicole currently resides in Northern Connecticut and works in Western Massachusetts. Nicole released her debut spoken word album, In/Put: Live from the Valley in 2019. It was recorded at CLICK Workspace in Northampton, MA in 2018. Proceeds from the album were used to create a fellowship program for emerging women and nonbinary writers of color through Straw Dog Writers Guild. Nicole is the editor of the chapbook, Locating Me, which is the culmination of a 10-week writing workshop hosted by Attack Bear Press she facilitated in early 2020.

 

 

enzo-silon-surin headshotEnzo Silon Surin, Haitian-born poet, educator, speaker, publisher and social advocate, is the author of When My Body Was A Clinched Fist (Black Lawrence Press, July 2020) and two chapbooks, A Letter of Resignation: An American Libretto (2017) and Higher Ground. He is a PEN New England Celebrated New Voice in Poetry, the recipient of a Brother Thomas Fellowship from The Boston Foundation and a 2020 Denis Diderot [A-i-R] Grant as an Artist-in-Residence at Chateau d’Orquevaux in Orquevaux, France. Surin’s work gives voice to experiences that take place in what he calls “broken spaces” and his poems have been featured in numerous publications and exhibits. He holds an MFA in Creative Writing from Lesley University, teaches creative writing and literature at Bunker Hill Community College and is President and Director of Faraday Publishing.

 

 

Rage Hezekiah headshot

Rage Hezekiah is a New England-based poet and educator, who earned her MFA from Emerson College. She is a Cave Canem, MacDowell, and Ragdale Fellow, and received the Saint Botolph Foundation’s Emerging Artists Award. Her chapbook Unslakable (Paper Nautilus Press, 2019) is a Vella Chapbook Award Winner. Stray Harbor is her debut full-length collection (Finishing Line Press, 2019).

 

 

 

 

Brionne-Janae headshot

Brionne Janae is a poet and teaching artist living in Bedstuy. They are the author of Blessed are the Peacemakers (2021) which won the 2020 Cave Canem Northwestern University Press Poetry Prize, and After Jubilee (2017) published by Boat Press. Brionne has received fellowships to Cave Canem, the Sewanee Writers Conference, the Community of Writers in Squaw Valley, Vermont Studio Center and Hedgebrook. Brionne is a recipient of the St. Botoloph Emerging Artist award, and the winner of the Comstock Review’s Muriel Craft Bailey Prize judged by Kwame Dawes. Their poetry has been published in PloughsharesThe American Poetry ReviewThe Academy of American Poets Poem-a-DayThe Sun Magazine, The Los Angelas Review, Brooklyn Poets, jubilat, and Waxwing among others. Off the page they go by Breezy. 

 

 

Melanie-Henderson headshotMelanie Henderson is a Washington, DC native poet, editor, publisher and photographer. She is the author of Elegies for New York Avenue, winner of the 2011 Main Street Rag Poetry Book Award. 

 

 

 

 

 

Krysten-Hill headshot

Krysten Hill is the author of How Her Spirit Got Out (Aforementioned Productions, 2016), which received the 2017 Jean Pedrick Chapbook Prize. Her work has been featured in The Academy of American Poets’ Poem-a-Day Series, apt, B O D Y, Boiler Magazine, Up the Staircase Quarterly, Muzzle, PANK, Tinderbox Poetry Journal, Winter Tangerine Review and elsewhere. The recipient of the 2016 St. Botolph Club Foundation Emerging Artist Award and 2020 Mass Cultural Council Poetry Fellowship, she received her MFA in poetry from University of Massachusetts Boston, where she currently teaches. 

 

 

 

Lisa Pegram headshot

Lisa Pegram is a writer, educator, arts integration specialist and literary publicist. Her chapbook Cracked Calabash was published by Central Square Press and she is contributing author of The Next Verse Mixtape vol. 1. She has over 20 years of experience in high-level program design for such organizations as the Smithsonian Institute, Corcoran Gallery of Art and National Geographic. Passionate about the arts as a tool for activism, she served as DC WritersCorps program director for a decade, and as co-chair of United Nations affiliate international women’s conferences in the US, India and Bali. Lisa completed her MFA at Lesley University and has an Executive Certification in Arts & Culture Strategies from UPenn. A Washington, DC native, she is currently based in the Caribbean where, in addition to her literary pursuits, she is a personal chef aka food poet.

 

Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival. 

2021 Tell It Slant Poetry Festival Schedule

 

Headshot of Tess Taylor

Staging the Poem:
Masterclass with Tess Taylor
Friday, September 24, 12pm

Headshot of Tess Taylor

Part of the 2021 Tell It Slant Poetry Festival:

“Drama is never dead” wrote Emily Dickinson, “Everything is as good as it is dramatic,” wrote Robert Frost. But what is drama in poetry? By turning the lenses of drama on the poems we read and onto our own drafts, we will think about how the theatrical cues of place, voice, and address make a poem legible to us, and help a poem to feel spoken and embodied across time. In this masterclass, we’ll read a few Amherst poets and a few poets from the great wider literary tradition. Using lenses and techniques we learn, we’ll turn our eyes towards our own drafts, seeing how we can refine them for resonance and reverberation.

Closed captioning will be available for this program!

Participants in this program will not be able to turn on their cameras or microphones, but are encouraged to follow along with Tess from home as she facilitates exercises with a group of students. All participants are encouraged to enter questions into the typed Q&A during the program.

REGISTER

 

Tess Taylor is the author of five acclaimed collections of poetry. Her chapbook, The Misremembered World, was selected by Eavan Boland for the Poetry Society of America’s inaugural chapbook fellowship, and The San Francisco Chronicle called her first book, The Forage House, “stunning.”  Her second book, Work & Days, was hailed as “our moment’s Georgic” by critic Stephanie Burt and named one of the 10 best books of poetry of 2016 by The New York TimesLast West, Taylor’s third book, was commissioned by the Museum of Modern Art as part of the Dorothea Lange: Words & Pictures and is currently being adapted for the stage by the Poet’s Theatre. Her most recent book, Rift Zone, from Red Hen Press, was hailed “brilliant” by Stephanie Danler in the LA Times and “stunning” by Naomi Shihab Nye in The New York Times. Taylor’s work has appeared in The Atlantic, The Kenyon ReviewPoetry, Tin House, The Times Literary Supplement, CNN, and The New York Times, and she has received fellowships from MacDowell, Headlands Center for the Arts, and The International Center for Jefferson Studies. She served as Distinguished Fulbright US Scholar at the Seamus Heaney Centre in Queen’s University in Belfast, Northern Ireland and was most recently the Anne Spencer Poet-in-Residence at Randolph College. Taylor has served as the on-air poetry reviewer for NPR’s All Things Considered for over a decade. She grew up and lives again in El Cerrito, California.

Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival. 

2021 Tell It Slant Poetry Festival Schedule

 

Emily Dickinson Poetry Marathon
September 20 – 26

Emily Dickinson Poetry Marathon graphic with Tell It Slant Poetry Festival LogoPart of the 2021 Tell It Slant Poetry Festival:

An Emily Dickinson Museum tradition, the Marathon is a group reading of all 1,789 poems by Emily Dickinson over the course of about 14 hours. For this year’s remote Festival, we are partnering with five other organizations to host the Marathon in two-hour sessions each day of this week. We will be reading from Ralph Franklin’s The Poems of Emily Dickinson: Reading Edition.

There are two ways to participate in the Marathon: as a reader or as a listener. It can be especially rewarding to be a reader for some sessions and a listener for others:
  • Listeners sit back and enjoy the group reading, which beautifully blends the voices of volunteer readers coming to Dickinson from different places, times in their lives, and levels of familiarity with the Poet. Listeners need to simply click “register” in the platform to sign up.
  • Readers volunteer to read 6-10 poems as part of the circle reading. Reader spots are limited and available on a first-come, first-served basis. If you are interested in being a reader, please click register in the Festival platform, then fill out the Register as a Marathon Reader form to learn more and request a space. Readers of all levels of experience are invited to participate!

REGISTER AS LISTENER

THE SCHEDULE:


Monday, September 20
Emily Dickinson Poetry Marathon Part 1
with the Emily Dickinson Museum
5:00 pm ET


Tuesday, September 21
Emily Dickinson Poetry Marathon Part 2

with the Jones Library
12:00pm ET


Wednesday, September 22
Emily Dickinson Poetry Marathon Part 3
with the Houghton Library
5:00pm ET


Thursday, September 23
Emily Dickinson Poetry Marathon Part 4

with the Frost Library
12:00pm ET


Friday, September 24
Emily Dickinson Poetry Marathon Part 5
with the Folger Shakespeare Library
3:30pm ET


Saturday, September 25
Emily Dickinson Poetry Marathon Part 6
with the Emily Dickinson International Society
5:00pm ET


Sunday, September 26
Emily Dickinson Poetry Marathon Part 7
with the Emily Dickinson Museum 
11:30am ET


To reserve your spot and learn more about each program:
my.eventcadence.com/events/tell-it-slant-poetry-festival-2021

 

Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival. 

2021 Tell It Slant Poetry Festival Schedule