During the pandemic, the Emily Dickinson Museum is celebrating monthly Amherst Arts Night Plus with remote poetry programs every first Thursday at 6:30pm (EST).

This program is free to attend. Registration is required. Click here to register!

Students of The Literacy Project in the Dickinson family parlor.

Featured readers: The Literacy Project

The Literacy Project presents original poems, essays, and stories written and read by students of The Literacy Project. The Literacy Project provides adult basic education programs and opportunities that support participants to engage meaningfully and equitably in the economic, social, cultural and civic life of their communities. With a staff of 20 and 75 volunteers, the Project now offers classes in basic literacy, high school equivalency and college and career readiness at 5 locations in the Pioneer Valley of Western Massachusetts: Greenfield, Orange, Northampton, Amherst and Ware.

The Emily Dickinson Museum’s Poetry Discussion Group meets monthly, September through May, for lively conversation about Emily Dickinson’s poetry and letters.

Join us from 12pm to 1:30pm on Zoom for a discussion on November 19 or November 20. Space is limited. To request a space, please complete this google form. For questions, please write edmprograms@emilydickinsonmuseum.org.

This program is free of charge, but we encourage those who are able to do so to make a donation after the program.

“The Way to Know the Bobolink”: Field Notes on Dickinson’s Birds
Over 200 bird references flit in and out of Dickinson’s poems. We know Dickinson’s birds as metaphors of hope, symbols of seasonal change, and less frequently, as subjects. We’ll explore a small collection of poems that feature those species Dickinson knew best—the New England backyard birds and probable visitors to the Dickinson meadow—whose presences herald a distinctly American poetry.  This discussion will situate Dickinson’s literary birds alongside bird ecology, behavior, and the burgeoning  field of ornithology. But while we may “split the lark” (Fr905), we’ll be sure to keep the “music” of Dickinson’s words at the forefront of our discussion.

About the facilitator
As Education Programs Manager, Elizabeth Bradley has curated the Emily Dickinson Museum’s Poetry Discussion Group since 2017. She is looking forward to stepping into the role of leader for the first time to discuss two of her favorite topics: Dickinson and birds. Elizabeth has an MA in History from UMass Amherst (with an emphasis on public, cultural, and environmental histories), and is fascinated by nature in the 19^th century imagination. She has a long history of leading more science-oriented bird discussions, having developed many K-12 programs and teacher workshops about urban birds during her tenure as an environmental educator in NYC. Her favorite local bird is the hermit thrush.

During the pandemic, the Emily Dickinson Museum is celebrating monthly Amherst Arts Night Plus with remote poetry programs every first Thursday at 6:30pm (EST).

This program is free to attend. Registration is required. Click here to register!

November Feature:

“Emily Dickinson In Translation”: During November’s Arts Night, enjoy a presentation of multi-lingual readings and short discussions on the practice of translating Dickinson’s words, presented by the Translation Center of the University of Massachusetts Amherst. A unique enterprise that combines business services with academics, the Center offers translation, interpreting, workshops, language consulting, and much more to a variety of clients including small businesses, multinational corporations, museums, law firms, hospitals, NGOs, filmmakers, advertising firms, educational institutions, and individuals. Special thanks to the Center’s Director, Regina Galasso. 

About the Translators:

Adalberto Müller is an Associate Professor for Literary Theory at the University Federal Fluminense in Rio de Janeiro. He was a Visiting Scholar at The University at Buffalo in 2018 and at Yale University in 2013, and he has been a member of the Emily Dickinson International Society since 2015. Besides publishing two collections of essays, he translated  e. e. cummings, Paul Celan and Francis Ponge. His recent works are a collection of texts on plants – Transplantations (from my mother’s garden), 2019 –  a book of short stories – O Traço do calígrafo, 2020 – and Walter Benjamin: Teses sobre a História. Edição Crítica (with Márcio Seligmann-Silva). His translation of the complete poems of Emily Dickinson into Portuguese are being published in Brazil, by Editora da Unb/Editora Unicamp (2 vol.)

Marcel Riera i Bou is an award-winning poet, editor, and translator. In 2017, he published his Catalan translations of 200 Emily Dickinson poems with Edicions Proa. The book is now in its second edition. He has also translated Joseph Brodsky, Philip Larkin, James Fenton, Rumer Godden, Edward Thomas, Edna St. Vincent Millay, and W. H. Auden. He is Co-Director and a member of the editorial board of El Cercle de Viena, a press dedicated to publishing modern literary classics in Catalan.

The Emily Dickinson Museum’s Poetry Discussion Group meets monthly, September through May, for lively conversation about Emily Dickinson’s poetry and letters.

Join us from 12pm to 1:30pm on Zoom. This program is full. If you are interested in future poetry discussion sections, please email edmprograms@emilydickinsonmuseum.org.

This program is free of charge, but we encourage those who are able to do so to make a donation upon their accepted registration. 

Topic: “No lives – Are Round”: Emily Dickinson’s Poetics

Karen Sánchez-Eppler, co-editor with Cristanne Miller of the forthcoming Oxford Handbook of Emily Dickinson, will lead the group in discussion that draws from new critical approaches to Dickinson. She will  briefly introduce the goals for the Handbook as well as the mix of approaches and perspectives it encompasses. The collection contains many essays that deepen our knowledge of the historical, biographical, and literary contexts in which Dickinson wrote and many that address her poetics—the how and what of her writing. A central goal of the project has been to connect these two scholarly modes. Rather than thinking of Dickinson as writing a poetry of correspondence, specific occasion, and intimate relationship, tightly bound to its immediate historical and biographical context and its unique material form (the chocolate wrapper or envelope flap) OR as a poetry of philosophical and spiritual consequence and universal reach, the collection affirms that both are true. Rather than asking readers to pick between these modes, we prod readers to consider how they illuminate each other.  

For this poetry discussion, we will explore a few poems that have more than one version, and hence more than one context, as a convenient way to consider how biographical context and material form do and don’t matter for Dickinson’s poetics. 

About the Facilitator: 
Karen Sánchez-Eppler is Professor of American Studies and English at Amherst College. She frequently teaches college seminars on Dickinson at the Museum and is a member of the Emily Dickinson Museum Board of Governors. She is the author of Touching Liberty: Abolition, Feminism, and the Politics of the Body and Dependent States: The Child’s Part in Nineteenth-Century American Culture. She is co-editor with Cristanne Miller, of the forthcoming The Oxford Handbook of Emily Dickinson. See her faculty profile for a fuller account of her scholarship and interests.  

During the pandemic, the Emily Dickinson Museum is celebrating monthly Amherst Arts Night Plus with remote poetry readings every first Thursday at 6:30pm (EST).

This program is free to attend. Registration is required. Click here to sign-up!

Our October featured poets are:

Rage Hezekiah

Rage Hezekiah is a New England based poet and educator, who earned her MFA from Emerson College. She has received fellowships from Cave Canem, The MacDowell Colony, and The Ragdale Foundation, and is the recipient of the Saint Botolph Foundation’s Emerging Artists Award. Her poems have been anthologized, co-translated, and published internationally. Rage’s debut full-length collection of poems, Stray Harbor, is available through Finishing Line Press. Her 2019 chapbook, Unslakable, is a 2018 Vella Chapbook Award winner available from Paper Nautilus.

For more information visit: https://www.ragehezekiah.com/

Brionne Janae

Brionne Janae is a poet and educator living in Brooklyn. They are a recipient of the 2016 St. Botoloph Emerging Artist award, a Hedgebrook Alum and proud Cave Canem Fellow. Their poetry has been published or is forthcoming in The American Poetry Review, The Academy of American Poets Poem-a-Day, The Sun Magazine jubilat, Sixth Finch, Plume, The Nashville Review, and Waxwing among others. Brionne’s first full length collection of poetry After Jubilee was published by Boaat Press.

For more information visit: https://www.brionnejanae.com/

Taylor Johnson

Taylor Johnson is proud of being from Washington, DC. They’ve received fellowships and scholarships from CALLALOO, Cave Canem, Lambda Literary, Tin House, the Vermont Studio Center, Yaddo, the Conversation Literary Festival,  the Bread Loaf Writers’ Conference and the Bread Loaf Environmental Writers’ Conference, among other organizations. In 2017, Taylor received the Larry Neal Writers’ Award from the DC Commission on the Arts and Humanities. 

Their poems appear in The Baffler, Indiana Review, Scalawag, and the Paris Review, among other journals and literary magazines. Their first book, Inheritance, will be published November 2020 with Alice James Books. Taylor lives in southern Louisiana where they listen.

For more information visit: http://www.taylorjohnsonpoems.com/

The Emily Dickinson Museum’s Poetry Discussion Group meets monthly, September through May, for lively conversation about Emily Dickinson’s poetry and letters. The Poetry Discussion Group meets at the Center for Humanistic Inquiry, on the second floor of Amherst College’s Frost Library. Participants should proceed directly to the Library and do not need to stop at the Museum. While no RSVP is required, participants are invited to email edmprograms@emilydickinsonmuseum.org to receive a list of poems for discussion. Attendees are welcome to bring a bag lunch. Beverages and a sweet snack are provided.

The Emily Dickinson Museum’s Annual Tell It Slant Poetry Festival is an event with international reach that celebrates Emily Dickinson’s poetic legacy and the contemporary creativity she and her work continues to inspire from the place she called home.

Sign up for our e-newsletter for announcements about the 2023 Tell It Slant Poetry Festival!

About the Festival:

The Emily Dickinson Museum’s Annual Tell It Slant Poetry Festival is an event with international reach that celebrates Emily Dickinson’s poetic legacy and the contemporary creativity she and her work continues to inspire from the place she called home.

The Festival, which runs each September, is named for Dickinson’s poem, “Tell all the truth but tell it slant,” underscoring the revolutionary power of poetry to shift our perspective and reveal new truths. Festival organizers are committed to featuring established and emerging poets who represent the diversity of the contemporary poetry landscape and to fostering community by placing poetry in the public sphere. 

The full line-up features workshops, panels, and readings, by a diverse and talented group of poets from around the world. The cornerstone of the Festival, the Emily Dickinson Poetry Marathon, is an epic online reading of all 1,789 of Emily Dickinson’s poems.

The annual event attracts a diverse audience of Dickinson fans and poetry-lovers, including students, educators, aspiring writers, and those who are new to poetry and literary events. Past Festival headliners have included Jericho Brown, Ocean Vuong, Ada Limón, Tracy K. Smith, Tiana Clark, Sumita Chakraborty, Tess Taylor, Franny Choi, Aimee Nezhukumatathil, Paisley Rekdal, Adrian Matejka, Kaveh Akbar, and Shayla Lawson. 

The Festival programs are hybrid with events happening online, as well as in-person at the Museum.

Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival.

View Past Festival Schedules:

2022 Tell It Slant Poetry Festival

2021 Tell It Slant Poetry Festival

2020 Tell It Slant Poetry Festival 

2019 Amherst Poetry Festival

During the pandemic, the Emily Dickinson Museum is celebrating monthly Amherst Arts Night Plus with remote poetry readings every first Thursday.

Join us for our September reading by three Pioneer Valley authors with new books this year. Crater & Tower (Duck Lake Books) by Cheryl J. Fish is a collection of poetry of inspired research and engaged imagination that centers on the eruption of Mt. Saint Helens and 9/11.  Kathryn Holzman’s historical novel, Real Estate (Propertius Press) is a fascinating account of the rise of Silicon Valley. Eileen P. Kennedy’s poetry collection, Touch My Head Softly (Finishing Line Press) sensitively explores the anguish of dying of Alzheimer’s disease for both the victim and the partner.

This program is free to attend. Registration is required. To sign-up and receive the link, click here.

Our September featured writers are:

Kathryn Holzman: After attending Stanford University and NYU, Kathryn Holzman chose Health Care Administration as a career, working with public inebriates, dentists, urologists, and cardiologists. When the right side of her brain rebelled against endless databases and balance sheets, she returned to her first passion—fiction. Her short fiction has appeared in over twenty online literary magazines and print anthologies. She is the author of a collection of short fiction, Flatlanders (Shire Press, 2019) Her first novel Real Estate is being published by Propertius Press in Fall, 2020. She was awarded the Grand Prize  in the 2020 Eyelands International Short Story Contest. Links to her work can be found at kathrynholzman.com.

Cheryl J. Fish:  Cheryl J. Fish’s new poetry book Crater & Tower (Duck Lake Books), examines trauma, natural and man-made disaster at Mount St. Helens Volcano and The World Trade Center after the 9-11 attack. Fish is also the author of Make It Funny, Make it Last (#171, Belladonna Chaplets) and her poetry has appeared in the recent ecopoetics anthology: Poetics for the more-than-human-world. Her fiction was featured in Liars League NYC, Iron Horse Literary Review, and her first novel, Off the Yoga Mat, about three characters turning age 40 during Y2K, will be published by Livingston Press in 2022. She was a visiting professor at Mt. Holyoke College, and is a professor of English at Borough of Manhattan Community College, City University of New York.  

Eileen P. Kennedy: Eileen P. Kennedy is a poet and academic who has focused on the writing process. Her former partner died of Alzheimer’s Disease in his 60’s and this new collection, Touch My Head Softly (Finishing Line Press), is based on those experiences.  Her first book, Banshees (Flutter Press, 2015) was nominated for a Pushcart and awarded Second Prize from the Wordwrite Books Award in Poetry. She holds a doctorate in language and literacy and has published a textbook, fiction and nonfiction. She lives in Western Massachusetts where she canoes, hikes, and writes. She winters in Costa Rica.  More at www.EileenPKennedy.com.

During the pandemic, the Emily Dickinson Museum is celebrating monthly Amherst Arts Night Plus with remote poetry readings every first Thursday.

This program is free to attend. Registration is required, click here to receive the link.

In July we feature three Pioneer Valley poets:

Michael Mercurio lives and writes in the Pioneer Valley of Massachusetts, where he is also a member of the steering committee for the Tell It Slant Poetry Festival (formerly Amherst Poetry Festival.) Michael’s poems have appeared or are forthcoming in Palette Poetry, Sugar House Review, Rust + Moth, Crab Creek Review, and Indianapolis Review, and his criticism has been published by The Lily Poetry Review. Find him online at poetmercurio.com.

Hannah Larrabee‘s collection, Wonder Tissue, won the Airlie Press Poetry Prize and is in the running for a 2019 Massachusetts Book Award. She has a new chapbook of epistolary poems to Teilhard de Chardin out from Nixes Mate Press. Hannah’s written poetry for the James Webb Space Telescope program at NASA, and she’ll be sailing around Svalbard in the arctic circle with artists and scientists later this fall. She has an MFA from the University of New Hampshire where she studied with Charles Simic. For more information visit www.hannahlarrabee.com

Nathan McClain is the author of Scale (Four Way Books, 2017), a recipient of fellowships from Sewanee Writers’ Conference, The Frost Place, Bread Loaf Writers’ Conference, and a graduate of Warren Wilson’s MFA Program for Writers.  His poems and prose have recently appeared or are forthcoming in Poetry Northwest, Green Mountains Review, Poem-a-Day, The Common, and The Critical Flame.  He teaches at Hampshire College. For more information visit www.nathanmcclain.com.