“The World Writes Back: Postcards to Emily Dickinson,” 2019

This is my letter to the World 
That never wrote to Me –
The simple News that Nature told – 
With tender Majesty

(Fr519) 

craft project

When Emily Dickinson wrote her “letter to the World,” she wrote to a world “That never wrote to Me.” Now the world has the opportunity to write back! In honor of the poet’s birthday on December 10, 2019, the Emily Dickinson Museum invites you to contribute to the celebratory exhibit, “The World Writes Back: Postcards to Emily Dickinson.” Send us a postcard, and your work and words will be on display in the Homestead where Dickinson wrote almost all of her 1,789 poems!

 

 

How to participate:

  1. Purchase or create an original postcard representing your corner of the world.
  2. Write down some thoughts! You might share how you discovered Emily Dickinson, how you’ve been inspired by her life and work, and/or send us original poetry of your own! If you like, snap a photo of your postcard and share to social media using #PostcardstoEmily.
  3. Mail your work to the Emily Dickinson Museum. Postcards received by December 10 will be included in the exhibit. Please mail postcards to:
    Emily Dickinson Museum
    280 Main Street
    Amherst, MA 01002
  4. Follow along on the Museum’s social media to see your work displayed in the Homestead! @EmilyDickinson.Museum on Instagram, @DickinsonMuseum on Twitter, and @Emily.Dickinson.Museum on Facebook. Or follow the hashtags #PostcardstoEmily and #TheWorldWritesBack.

Please note: Postcards will be displayed during family events. Please refrain from using explicit language or images. By sending us your postcard, you give the Emily Dickinson Museum the right to share your work in the exhibit and via social media. Please sign your card as you would like to be attributed.

Questions can be directed to edmprograms@emilydickinsonmuseum.org

Lesley Dill Tell it Slant

Lesley Dill to Receive This Year’s ‘Tell It Slant’ Award

THE EMILY DICKINSON MUSEUM WILL AWARD THIS YEAR’S ‘TELL IT SLANT’ AWARD
TO ARTIST LESLEY DILL

The artist will receive the award at the Folger Shakespeare Library’s Emily Dickinson Birthday Tribute

Lesley Dill Tell It Slant(AMHERST, Mass., October 7, 2019) – Today the Emily Dickinson Museum announced the winner of the 2019 Tell It Slant Award. The award honors individuals whose work is imbued with the creative spirit of Emily Dickinson. This year’s recipient is Lesley Dill, a prominent American artist working at the intersection of language and fine art. Dill’s work has been exhibited around the world, and her art is in collection at the Metropolitan Museum of Art, the Museum of Modern Art New York, and the Whitney Museum of American Art. Her opera based on Dickinson’s poems, Divide Light, was performed by New York’s New Camerata Opera Company in 2018. 

The Tell It Slant Award, which was created in 2012 by the Emily Dickinson Museum’s Board of Governors, takes its name from the well-known poem, “Tell all the Truth but tell it slant – / Success in Circuit lies / Too bright for our infirm Delight / The Truth’s superb surprise.” Past award winners include Pulitzer prize-winning poet Kay Ryan, former Poet Laureate Richard Wilbur, documentary filmmaker Ken Burns, and writer and A Prairie Home Companion host Garrison Keillor. Each year, recipients are chosen from a talented and diverse pool of individuals by the Museum’s board. This year’s winner is particularly deserving of the award.

Lesley Dill’s elegant work invests new meaning in the human form. By using paper, wire, horsehair, photography, foil, bronze, and music to convey the complexity of communication, much of her work alludes to or draws directly from the poetry of Emily Dickinson. Like the Amherst poet herself, Dill uses her provocative and intricate art to challenge the viewer to confront their linguistic relationships and perceptions of language.

“Using the written word as both a signifier and a kind of decorative motif,” Michael O’Sullivan writes for The Washington Post, “Dill covers everything she does with a seeming jumble of often illegible letters. Forcing the viewer to squint, stoop and search, sometimes in vain, for recognizable sentences, the artist creates messages that are as much a kind of linguistic code—marks representing ideas—as they are mute blemishes, abstractions whose resonance has more to do with emotion than rhetoric.”

If “language is just a series of symbols imbued with the meaning and power we give them,” Lennie Bennett writes for The Times, then Dill’s use of language as art “seeks a different affirmation, a more private pact that doesn’t require one necessarily to know a language, only to understand its intent.”

Dill will receive the award during the Folger Shakespeare Library’s Emily Dickinson Birthday Tribute on December 9. The annual celebration brings together speakers, scholars, and fans of Emily Dickinson’s work to celebrate the illustrious poet and her writing. This year’s tribute will feature poet Tom Sleigh, who will read his favorite Dickinson poems and share from his own work, and Dill, who will discuss her Dickinson-inspired work. Following the presentation, the two artists will have a conversation about their shared muse.

Since its inception, the Emily Dickinson Museum has welcomed more than 150,000 visitors from 50 countries and serves as the premier center for study, interpretation, and celebration of Emily Dickinson’s place in literature, history, and culture. These awards will support the Museum’s mission to spark the imagination by amplifying Dickinson’s revolutionary poetic voice from the place she called home. The Museum is open Wednesday through Sunday, 11 a.m. to 4 p.m. Learn more at www.EmilyDickinsonMuseum.org.

 

Some keep the Sabbath going to Church (236)

Some keep the Sabbath going to Church –
I keep it, staying at Home – 
With a Bobolink for a Chorister – 
And an Orchard, for a Dome – 

Some keep the Sabbath in Surplice – 
I, just wear my Wings – 
And instead of tolling the Bell, for Church,
Our little Sexton – sings.

God preaches, a noted Clergyman – 
And the sermon is never long,
So instead of getting to Heaven, at last – 
I’m going, all along.

Success is counted sweetest (112)

Success is counted sweetest,
By those who ne’er succeed.
To comprehend a nectar
Requires sorest need.

Not one of all the purpose Host
Who took the Flag today
Can tell the definition
So clear of Victory

As he defeated – dying – 
On whose forbidden ear
The distant strains of triumph
Burst agonized and clear!

Apparently with no surprise (1668)

Apparently with no surprise
To any happy Flower
The Frost beheads it at it’s play –
In accidental power – 
The blonde Assassin passes on –
The Sun proceeds unmoved
To measure off another Day
For an Approving God – 

A Route of Evanescence (1489)

A Route of Evanescence,
With a revolving Wheel – 
A Resonance of Emerald
A Rush of Cochineal – 

And every Blossom on the Bush
Adjusts it’s tumbled Head – 
The Mail from Tunis – probably,
An easy Morning’s Ride – 

A little Madness in the Spring (1356)

A little Madness in the Spring
Is wholesome even for the King,
But God be with the Clown – 
Who ponders this tremendous scene – 
This whole Experiment of Green – 
As if it were his own!

A narrow Fellow in the Grass (1096)

A narrow Fellow in the Grass
Occasionally rides – 
You may have met him? Did you not
His notice instant is – 

The Grass divides as with a Comb – 
A spotted Shaft is seen,
And then it closes at your Feet
And opens further on – 

He likes a Boggy Acre – 
A Floor too cool for Corn – 
But when a Boy and Barefoot
I more than once at Noon 

Have passed I thought a Whip Lash
Unbraiding in the Sun
When stooping to secure it
It wrinkled And was gone – 

Several of Nature’s People
I know and they know me
I feel for them a transport
Of Cordiality

But never met this Fellow
Attended or alone
Without a tighter Breathing
And Zero at the Bone.