‘Wild Nights with Emily’ Screening and Director’s Q&A, October 26, 2019

Join us for free screening of the SxSW dramatic comedy ‘Wild Nights with Emily,’ — starring Molly Shannon as the beloved poet Emily Dickinson. Followed by a Q&A with director Madeleine Olnek, and Emily Dickinson Museum curator Jane Wald. Don’t miss this opportunity to see the movie IndieWire called “hilarious” and “touching”!

Location: The screening will take place in Lipton Lecture Hall in the Amherst College Science Center on the east side of campus from 5:00 p.m. to 7:00 p.m. The hall is room E110 and is located on the first floor by the cafe.

Parking: Parking is available along East Drive and Merrill Science Drive and no permit is required (even if indicated).

About the Film

In the mid-19th century, Emily Dickinson is writing prolifically, baking gingerbread, and enjoying a passionate, lifelong relationship with another woman, her friend and sister-in-law Susan. Beloved comic Molly Shannon leads in this humorous yet bold reappraisal of Dickinson, informed by her private letters. While seeking publication of some of the 1,789 poems written during her lifetime, Emily (Shannon) finds herself facing a troupe of male literary gatekeepers too confused by her genius to take her work seriously. Instead her work attracts the attention of an ambitious woman editor, who also sees Emily as a convenient cover for her own role in buttoned-up Amherst’s most bizarre love triangle.

About the Filmmaker

Madeleine Olnek is a New York City based playwright and filmmaker. Her third feature film, Wild Nights With Emily, was awarded a Guggenheim Fellowship and awards from NYSCA and Jerome Foundation funds. Her second feature, The Foxy Merkins, included screenings at Sundance 2014, BAM Cinemafest, Lincoln Center, and an NYC theatrical run at IFP. The film had its international premiere at the Moscow Film Festival. Her debut feature, Codependent Lesbian Sex Alien Seeks Same, premiered at Sundance 2011. Its screening included MoMa, The Viennale and the Festival do Rio. Nominated for a Gotham award, it had theatrical runs in LA and NYC. Her award-winning and widely screened comedy shorts, “Countertransference” (2009), and “Hold Up” (2006), were official selections of Sundance; “Make Room For Phyllis” (2007) premiered at Sarasota. Olnek was awarded best female short film director at Sundance in 2009, by LA’s Women In Film organization.

Exciting News About Our Recent Grants

THE EMILY DICKINSON MUSEUM RECEIVES OVER $350,000 IN GRANTS FOR INTERPRETIVE PLANNING, OPERATING SUPPORT, AND RESTORATION

The grants will be used to improve and increase access to Emily Dickinson’s poetic and personal legacy in the place she called home.

(AMHERST, Mass., August 28, 2019) – Today the Emily Dickinson Museum announced that it will receive over $350,000 in grants for interpretive planning, operational support, and restoration. The grants include a Public Humanities Planning grant of $63,025 from the National Endowment for the Humanities (NEH). The NEH award will support a year of interpretive planning to unite the Museum’s historic spaces and collections to better serve its growing contemporary audience. Public Humanities Planning grants from the NEH are typically awarded for up to $40,000 per grantee, but larger sums are granted to exceptionally ambitious and complex proposals like the Museum’s.

Program Director Brooke Steinhauser says the grants will allow the Museum to “incorporate current scholarship and more inclusive methodologies of interpretation” into its already vibrant programming. As the site of the largest and most varied collection of non-manuscript objects associated with Emily Dickinson and her family, and as the site where Dickinson penned nearly all of her 1,789 poems, the grants will help the Museum to consider how to provide interpretation of and access to its resources, resulting in the best possible visitor experience.

The Emily Dickinson Museum is one of 16 humanities projects this cycle to receive a grant from the NEH for planning or implementation, all of which will support vital research, education, preservation, and public programs in the humanities. The National Endowment for the Humanities preserves America’s rich history and cultural heritage, by encouraging and supporting scholarship and innovation in history, archaeology, philosophy, literature, and other humanities disciplines. In addition to the work at the Emily Dickinson Museum, this round of grants will enable continued work on the papers of presidents George Washington, Thomas Jefferson, and Abraham Lincoln, as well as publication of the complete speeches, correspondence, and writings of Martin Luther King Jr. and Eleanor Roosevelt, and a new scholarly edition and translation of the Dead Sea Scrolls.

In addition to the NEH grant, the Museum will receive $245,673 from the Institute of Museum and Library Services, $30,000 from the Massachusetts Cultural Facilities Fund, and $12,200 from the Massachusetts Culture Council’s Cultural Investment Portfolio. The IMLS grant will be used to catalog, manage, and maintain its 8,000+ piece collection. The planning grant from the Facilities Fund will be used to plan the restoration of the hallways, parlors, and bedrooms in the Museum, tripling the amount of restored interpretive space in the Homestead. The grant from the Cultural Investment Portfolio will support operations at the Museum. Executive Director Jane Wald says the grants will help to transform the Museum’s interpretation by “preparing to restore this private poet’s public spaces to their appearance during her most important writing years.”

Since its inception, the Emily Dickinson Museum has welcomed more than 150,000 visitors from 50 countries and serves as the premier center for study, interpretation, and celebration of Emily Dickinson’s place in literature, history, and culture. These awards will support the Museum’s mission to spark the imagination by amplifying Dickinson’s revolutionary poetic voice from the place she called home. The Museum is open Wednesday through Sunday, 11 a.m. to 4 p.m. Learn more at www.EmilyDickinsonMuseum.org.

Created in 1965 as an independent federal agency, the National Endowment for the Humanities supports research and learning in history, literature, philosophy, and other areas of the humanities by funding selected, peer-reviewed proposals from around the nation.

The Institute of Museum and Library Services is the primary source of federal support for the nation’s libraries and museums. They advance, support, and empower America’s museums, libraries, and related organizations through grant making, research, and policy development. Their vision is a nation where museums and libraries work together to transform the lives of individuals and communities. To learn more, visit www.imls.gov.

Managed in collaboration with MassDevelopment, the Cultural Facilities Fund provides major improvement grants to nonprofit cultural organizations, in recognition of their profound economic impact on communities across Massachusetts. Since 2006, the Fund has encouraged sound growth, supported important development projects, played a crucial role in the growth of local tourism, created thousands of jobs, and driven millions of dollars in private investment.

The Cultural Investment Portfolio provides both general operation and project-based grants to nonprofit organizations that enrich Massachusetts’ cultural life. The Portfolio works to strengthen a cultural sector that generates $1.2 billion in economic activity, creates thousands of jobs, and delivers programs to more than 20 million people a year. Not just a funder, the Portfolio is a source of invaluable expertise, advocacy, and peer dialogue.

Emily Dickinson and her British Contemporaries, November 9, 2019

4:30-6PM at the Emily Dickinson Museum Homestead

Scholar Páraic Finnerty presents this lecture on Emily Dickinson and her British contemporaries. He will discuss Dickinson’s reading of and response to three of her favorite British poets—Elizabeth Barrett Browning, Robert Browning, and Alfred Tennyson—in relation to their nineteenth-century U.S. reception. The lecture will focus on the impact of Tennyson’s and Browning’s development and popularization of the dramatic lyric (later termed the dramatic monologue) on Dickinson’s poetics. In the process, Finnerty will explore how this context provides a new way of interpreting Dickinson’s poetry. Time for questions and answers will follow the talk.

This program is free and open to the public.

About the speaker: Páraic Finnerty is Reader in English and American Literature at the University of Portsmouth. He is the author of Emily Dickinson’s Shakespeare and co-author of Victorian Celebrity Culture and Tennyson’s Circle (2013). He is currently working on a monograph entitled Dickinson and her British Contemporaries, forthcoming from Edinburgh University Press. He is a member of the Board of Directors of the Emily Dickinson International Society and serves on the Editorial Board of the Emily Dickinson Journal.

Call for Proposals for the Amherst Poetry Festival, July 3-25, 2019

The Emily Dickinson Museum is now accepting proposals for our seventh annual Amherst Poetry Festival, September 19-22, 2019!

Produced by the Emily Dickinson Museum, with support from the Community Foundation of Western Massachusetts, the Beveridge Family Foundation, Amherst Business Improvement District, Massachusetts Cultural Council, and Jones Library, the Amherst Poetry Festival celebrates the poetic legacy of Emily Dickinson and the contemporary creativity of the Pioneer Valley and beyond.

Proposals for audience-centered workshops, panel discussions, and participatory programs are welcome. The Steering Committee especially welcomes the following:

- Submissions from groups of 2 – 5 poets
- Submissions that engage young attendees and those new to poetry
- Submissions that involve hands-on components

A $200 honorarium will be provided per event. Event facilitators are asked to pay their own travel and lodging expenses.

Proposals should be designed for one of the following program slots: (Individuals may submit for more than one program slot)

FRIDAY, SEPTEMBER 20, 2019

Poetry workshops for students of high school (grades 9-12). 45-minute classroom session, to be offered up to four times between 7:50am to 3pm. Partner schools will be shared with selected poets and will include schools in Hampshire and Hampden counties.

SATURDAY, SEPTEMBER 21, 2019

Daytime poetry workshops, panels, or participatory programs open to the public to occur at a variety of Festival venues, including on site at the Emily Dickinson Museum, at the Jones Library, Hope and Feathers Art Gallery, etc. (Examples of participatory programs might include mobile activities, resource booths, etc.). Event sessions are typically an hour and a half long.

Submission Guidelines:

Only submissions made in the online form will be considered. There is no fee to submit proposals.
Following your submission, please e-mail your resume/cv to edmprograms@emilydickinsonmuseum.org.
- Include “POETRY FESTIVAL SUBMISSION” in the title of the e-mail. We can accept .pdf, .doc, .docx files.
  If applicable, you may also submit an image in .jpg, .jpeg, .gif, and .png format.
Selected facilitators will be notified by August 9, and will be asked to sign a letter of agreement confirming their participation in the Festival.
Submissions Due: Thursday, July 25, 2019, 11:59 pm EST.

Submissions will be judged on the following:

Originality – Is your idea bold and intriguing? Will it offer something new to our Festival?
Quality – Does the submission reflect thoughtful preparation? How are you uniquely qualified to facilitate this program?
Audience – Have you clearly outlined participatory elements? How does your proposal contribute to community-building for the Amherst Poetry Festival?
Special consideration will be given to Pioneer Valley and Massachusetts-based facilitators.

SUBMIT YOUR PROPOSAL

Questions? Email us at edmprograms@emilydickinsonmuseum.org

Image of "In Suspension" in the Homestead Conservatory

In Suspension: A site-specific art installation, June 21 – September 9, 2019

Wonder – is not

precisely knowing
And not precisely
knowing not –
A beautiful but

bleak condition
He has not lived
who has not felt –

Suspense – is his
maturer Sister –
Whether Adult Delight is Pain
Or of itself a
new misgiving –
This is the
Gnat that
mangles men –

-F1347

In Suspension

A site-specific art installation at the Emily Dickinson Museum featuring work by Tereza Swanda, Ingrid Pichler, and Fletcher Boote

The Emily Dickinson Museum is pleased to present this first site-specific art installation in the restored Homestead conservatory. In this small greenhouse Dickinson tended flowers “near and foreign,” forging a deep connection that permeated her poetry and daily life. Imagine dirt under the poet’s fingernails as she wrote the poems that immortalized flowers blooming in her garden, home, and Amherst’s fields and woodlands.

This mixed-media installation aims to forge the colors Dickinson saw from the conservatory out into her landscape. In this meditation on suspension, colors change based on the atmosphere, and the space between subjects. Light from color gels is cast throughout the room by projection and refraction. Sound is a complimentary element to color.

The installation is best viewed from inside the conservatory, which is open from 11AM-4:30PM each day the Museum is open (Wednesday through Monday). All are welcome inside to view the installation, but the space is restricted to four people at a time. Photography inside the installation is most welcome.

About the artists:

Tereza Swanda teaches at Dean College and has 20 years of color theory through painting. She graduated from Mass Art in Boston with a degree in Sculpture and Painting and holds an MFA from Vermont College of Fine Arts. She has exhibited her own work extensively both locally, nationally and internationally over the last ten years. Learn more: https://www.mamatereza.net/

Ingrid Pichler specializes in site-specific glass installation for the private and public sector and is a visiting lecturer at Salem State University. Pichler has been working in architectural glass for almost thirty years. Throughout her career, her hands-on approach has enabled her to develop a keen understanding of the transformative potential of light in the context of architectural glass. Most of her works have been commissioned, location-specific installations, utilizing a wide range of techniques from traditional painting and staining, to new innovation for fusing and casting in contemporary glass technology. Learn more: http://www.pichlerart.com/

Fletcher Boote is a composer and performer investigating nuances of human relationships as they are expressed in arrangements of sounds. She has recently taught sound healing and vocal workshops at Princeton University and lead courses at Johnson State College. Boote has been working in sound for over a decade and has worked with students of Meredith Monk. Learn more: http://fletcherboote.com/

“Emily Dickinson’s Gardening Life”, with Marta McDowell, December 15, 2019

4:30-6PM at the Amherst Woman’s Club at 35 Triangle Street, Amherst, MA

The cultivated world of plants, wildflowers, trees, and shrubs provided Emily Dickinson with a constant source of inspiration and companionship. On December 15, take a seated “tour” of Dickinson’s gardens with the author of Emily Dickinson’s Gardening Life: The Plants and Places that Inspired the Poet. Led by celebrated garden historian and 2018 Gardener-in-Residence Marta McDowell, this talk will treat visitors to a seasonal exploration of the poet’s passion for the natural world.

A book signing follows the talk. Books will be available for purchase at the program. Light refreshments will be served. This event is free and open to the public. Parking for this program is available at the Amherst Woman’s Club.

About Emily Dickinson’s Gardening Life (Timber Press, 2019):

Emily Dickinson was a gardener as well as a poet. She tended flowers in her Amherst, Massachusetts garden and in the small conservatory that her father added on to their brick house on Main Street. Flowers have their own poetry. As she said, “flowers…, without lips, have language.” Emily Dickinson’s Gardening Life explores the plants and places of Dickinson’s life alongside her poetry.

Richly illustrated with selections from Dickinson’s herbarium, period botanical art by three of Dickinson’s contemporaries, historical images, and new photographs, Emily Dickinson’s Gardening Life traces this little-know part of Dickinson’s life. It beautifully reveals the many ways her passion for plants sparked her creativity and inspired much of her beloved poetry.

About Marta McDowell:

Marta McDowell teaches landscape history and horticulture at the New York Botanical Garden and consults for private clients and public gardens. Her latest book is Emily Dickinson’s Gardening Life, 2019. Timber Press also published The World of Laura Ingalls Wilder, New York Times-bestselling All the Presidents’ Gardens, and Beatrix Potter’s Gardening Life, now in its seventh printing. Marta is working on a new book about The Secret Garden and its author, Frances Hodgson Burnett, due out from Timber Press in 2022. She is the 2019 recipient of the Garden Club of America’s Sarah Chapman Francis Medal for outstanding literary achievement.

Emily Dickinson Birthday Open House, December 14, 2019

1-4PM at the Emily Dickinson Museum

You are cordially invited to celebrate Emily Dickinson’s 189th birthday at her home, the Emily Dickinson Museum! On December 14 join us for a festive open house. Tour the houses for free, enjoy the Holiday decorations and live music, create an artistic postcard to add to our “The World Writes Back: Postcards to Emily Dickinson” project, and, of course, enjoy coconut cake made from the poet’s own recipe. All are welcome and no fee or reservations are required.

About Dickinson’s birthday: Emily Dickinson, the middle child of Edward and Emily Norcross Dickinson, was born on December 10, 1830, in the family Homestead on Main Street in Amherst, Massachusetts. She celebrated 55 birthdays before her death in 1886. As an adult she wrote, “We turn not older with years, but newer every day.” (Johnson L379)

Birthday Celebration Schedule:

1PM Open House begins:

Walk through the Homestead and The Evergreens at your leisure and talk with our knowledgeable guides.
Don’t forget to check out the exhibition of postcards to Emily in the Homestead!
Crafts: At the Homestead create your own artistic postcard to hang in our exhibition. At the Evergreens create a traditional ornament to hang on the Dickinson family Christmas tree.

1PM-1:20PM Yosen Wang String Quartet at the Homestead

1:20-2PM Festive piano music at The Evergreens by Alex Santos

2-3PM Festive piano music at The Evergreens by Sebastian Son

Sebastian Son is a junior at Amherst College. He majors in English, and in his free time loves to play music and perform on stage. Around campus, he sings in an a capella group (DQ) and performs with the Theater and Dance Department. He is slated to sing and act in Anna Plummer’s senior project, the Puddle Jumping Society, which opens on March 26th at Amherst College.

2:30PM Coconut Cake is served! Learn more about Dickinson’s recipe for this tasty treat here.

3-3:30PM Festive piano music at The Evergreens by Yee-Lynn Lee

3:30-4PM Festive piano music at The Evergreens by Anna Buswell

4PM Open House concludes.

Emily Dickinson daguerreotype, showing the poet seated and facing the viewer, resting one arm on a desk

Folger Shakespeare Library’s Emily Dickinson Birthday Tribute, December 9, 2019

Join us in Washington D.C. at the Folger Shakespeare Library on December 9 to celebrate the birthday of Emily Dickinson!

Each year, the Folger Shakespeare Library’s Emily Dickinson Birthday Tribute brings speakers, scholars, and fans of Emily Dickinson’s work together to celebrate the illustrious poet and her writing. This year, the event will feature Tom Sleigh, reading from his favorite Dickinson poems and sharing his own work, and Lesley Dill, the winner of this year’s Tell It Slant Award.

To purchase tickets to the Birthday Tribute, please visit the Folger’s website.

More about the artists:

Artist Lesley Dill works with paper, wire, horsehair, photography, foil, bronze, and music. Her artworks are in the collections of over 50 museums, including the Metropolitan Museum of Art. Her opera based on Dickinson’s poems, Divide Light, was performed by New York’s New Camerata Opera Company in 2018.

Tom Sleigh’s ten books of poetry include Army Cats (John Updike Award) and Space Walk (Kingsley Tufts Award). His book of essays, The Land Between Two Rivers: Writing in an Age of Refugees, is being published as a companion piece to his latest book of poems, House of Fact, House of Ruin.

Amherst Arts Night Plus Open Mic and Featured Artists, December 5, 2019

Join us at the Emily Dickinson Museum during Amherst Arts Night Plus on December 5, 2019 for our monthly Open Mic. Poets, writers, and performers of any kind are welcome! Come early to view the pop-up, contemporary art exhibition in the Homestead by our featured artist. The open mic begins at 6:00 p.m. and will be followed by this month’s featured readers. Those who would like to share their work should arrive between 5:00 and 6:00 p.m. to sign up.

Featured Readers: Readings follow the open mic

The Literacy Project presents ‘Our Mirror: Reflections of The Valley’. These original poems, essays, and stories are written and read by students of The Literacy Project. The Literacy Project provides adult basic education programs and opportunities that support participants to engage meaningfully and equitably in the economic, social, cultural and civic life of their communities. With a staff of 20 and 75 volunteers, the Project now offers classes in basic literacy, high school equivalency and college and career readiness at 5 locations in the Pioneer Valley of Western Massachusetts: Greenfield, Orange, Northampton, Amherst and Ware.

Poetry Discussion Group, November 8, 2019

The Emily Dickinson Museum’s Poetry Discussion Group meets monthly, September through May, for lively conversation about Emily Dickinson’s poetry and letters. The Poetry Discussion Group meets at the Center for Humanistic Inquiry, on the second floor of Amherst College’s Frost Library. Participants should proceed directly to the Library and do not need to stop at the Museum. While no RSVP is required, participants are invited to email edmprograms@emilydickinsonmuseum.org to receive a list of poems for discussion. Attendees are welcome to bring a bag lunch. Beverages and a sweet snack are provided.

November Poetry Discussion Group will meet on November 8, 2019 at 12PM.

November’s discussion will consider how the nineteenth century dramatic lyric monologue, developed by Browning and Tennyson, impacted Dickinson’s poetry. In many letters, Dickinson underlined how important these British poets, along with Elizabeth Barrett Browning, were for her work. In July 1862, Dickinson even echoed Browning’s well-known definition of the dramatic lyric when she told Higginson: “When I state myself, as the Representative of the Verse – it does not mean – me – but a supposed person” (L268). Together, we will consider how Dickinson employs—and complicates—the lyric monologue in her own poetry by focusing on a range of poems from the 1860s.

Facilitator: Páraic Finnerty is Reader in English and American Literature at the University of Portsmouth. He is the author of Emily Dickinson’s Shakespeare and co-author of Victorian Celebrity Culture and Tennyson’s Circle (2013). He is currently working on a monograph entitled Dickinson and her British Contemporaries, forthcoming from Edinburgh University Press. He is a member of the Board of Directors of the Emily Dickinson International Society and serves on the Editorial Board of the Emily Dickinson Journal.

Meeting Notes

Center of Humanistic Inquiry Address: 61 Quadrangle Dr, Amherst. This event will be held in the seminar room, the classroom on the left at the top of the stairs.
Parking – attendees may park in the Amherst College Alumni Lot and walk to the library free of charge. Metered parking is available closer to campus on the Town Common. Some select spots and accessible parking are available on campus, around the quad and behind the Frost Library. Participants with a state-issued handicap placard may park in any accessible spaces on campus. See the Amherst College campus parking map for more information.
Program cost – Drop-in fees are as follows: $12 for EDM Friends (Members); $15 for Non-Members.