IN-PERSON PROGRAM

This program is jointly presented by the Emily Dickinson International Society. Registration is required.
Please address any questions about the Annual Meeting to edismeeting@emilydickinsonmuseum.org

REGISTER

View the PROGRAM

EDIS’s Annual Meeting returns to Amherst! This year’s theme, “Neighbor Dickinson,” celebrates the reopening of Austin and Susan Dickinson’s home The Evergreens, which has been closed to the public since 2019, and the publication of the first new complete edition of Dickinson’s letters in almost 70 years. Talks and panel presentations will discuss the idea of neighborliness, what it was like to have Dickinson as a neighbor, and what neighborliness meant to her. Talks will focus on family and friends at The Evergreens and throughout Amherst, and those like Charles Darwin who inhabited her intellectual neighborhood. As well as showcasing exciting new Dickinson scholarship, the meeting includes open tours of the Dickinson houses, a walking tour of Dickinson’s neighborhood (taking in downtown Amherst  and Wildwood Cemetery), and a luncheon in the Museum gardens.

Special events include a marathon reading inspired by the new edition of Dickinson’s letters and an opportunity to transcribe the manuscripts of nineteenth-century letters written by Dickinson’s neighbors. In addition to these activities and presentations, the meeting gathers “Dickinson Communities” to discuss research, pedagogy, translation, and the arts.

Join us in Amherst, 26-28 July 2024, to learn more about Dickinson and her neighborhood and to celebrate and share insights about her life and writings.

You can still REGISTER for the Annual Meeting! Peruse the PROGRAM and get ready for the AUCTION!

SOLD OUT

Join us for a lively virtual discussion of Emily Dickinson’s poetry and letters, meeting once a month from February to May. This program is designed to welcome newcomers and seasoned readers of Dickinson alike. 

Each session is facilitated by a guest scholar with unique expertise, who leads the group in discussion following an introductory talk. Brief reading handouts will be distributed prior to each month’s program.

Topics and Leaders:

• February: “Oh Sumptuous moment / Slower go”: Dickinson, Desire, and Temporal Dislocation with Emily Coccia
• March: Emily Dickinson’s “Tempest” with Melba Jensen
• April: “Emily Dickinson and the Invention of Faith” with Emily Seelbinder
• May: Dickinson and Disability Poetics with Clare Mullaney  

Format

As a registrant, you are signing up to join a small group of 25 or fewer regular participants for four 90-minute zoom sessions. Meetings are participatory, with video and audio encouraged. Because we want everyone to feel comfortable speaking, full sessions will not be recorded. The program is designed for adult audiences (18+).

Registration

We are offering an identical program for Wednesday and Friday groups. Please review the dates carefully — space is limited.
Refunds are not available for this program.

Wednesday Group (SOLD OUT), $100 program fee (inclusive of all sessions),  limited to 25 participants
February 21, 6-7:30pm ET
March 20, 6-7:30pm ET
April 24, 6-7:30pm ET
May 22 6-7:30pm ET

Friday Group (SOLD OUT), $100 program fee (inclusive of all sessions), limited to 25 participants
February 23, 12-1:30pm ET
March 22, 12-1:30pm ET
April 26, 12-1:30pm ET
May 24, 12-1:30pm ET

Optional Meet & Greet for both groups: Wednesday, February 7 from 6-6:45pm

For Educators:
Educators may request a certificate attesting to your participation in the program. Those interested may attend an additional session on May 29 from 6 to 7 to discuss curricular connections and ideas with fellow educators.

Reservations are made on a first-come, first-served basis.

Questions: Don’t hesitate to reach out at edmprograms@emilydickinsonmuseum.org with any questions about the program.

FEBRUARY

“Oh Sumptuous moment / Slower go”: Dickinson, Desire, and Temporal Dislocation
In the third season of Apple TV+’s Dickinson (2019-21), the poet finds herself transported out of her nineteenth-century context and into the 1950s, where a young Sylvia Plath provides Emily Dickinson with the words and inspiration to come out to her sister Lavinia. Although the time travel plotline is obviously fictional, there persists an image of Dickinson as a figure out of time—or out least out of temporal lockstep with her nineteenth-century moment. This discussion will consider both the ways Dickinson has been represented in relationship to her historical context and how she herself wrote about temporality. From seconds and moments to eternity and
infinity, Dickinson’s poems and letters abound with mentions of time and duration. Together, we will explore the different ways time is felt and experienced in individual works, paying particular attention to how Dickinson uses words to create “world enough and time” for her own queer desires.

Emily Coccia is a Ph.D. candidate in the joint program in English and Women’s and Gender Studies at the University of Michigan. Focusing on nineteenth-century genres of working-class and mass-popular literature, her research asks how American workingwomen’s creative reception practices allowed them to envision queer futures and to cultivate spaces for pleasure and intimacy. Her writing has appeared in journals including Legacy: A Journal of American Women Writers, Transformative Works and Cultures, and the Emily Dickinson Journal.

MARCH

Emily Dickinson’s “Tempest”
In William Shakespeare’s play The Tempest, the deposed Duke Prospero chooses between practicing his alchemical arts in exile and returning to govern Milan. In exile, he uses poetry, music, and language to control his dependents–enchanting his daughter Miranda with a pageant of divine love while thwarting his servants’, Ariel and Caliban, desire for freedom. In this discussion, we’ll trace how Dickinson alludes to these characters and their experience of poetry in four poems about the power of poetry. Participants do not need to read The Tempest to appreciate these poems or enjoy the discussion, but we will share resources for accessing the play and discussing the plot.

Melba Jensen has taught English, computer literacy, and mathematics to college students and high school students since 1986. She completed her Ph.D. in English with an emphasis in nineteenth-century American Literature at the University of Massachusetts in 2005. She has been a lecturer in American Literature at the University of Massachusetts and is a guide at the Emily Dickinson Museum.

APRIL

Emily Dickinson and the Invention of Faith
Though Emily Dickinson may not fit traditional molds for religious persons, in her own time or in ours, she was clearly fascinated by spiritual matters, and she explored such matters from differing, often contradictory points of view. Many readers/scholars have attempted to codify Dickinson’s religious perspective. Much has been made of her assertion to T. W. Higginson that her family was “religious” but she herself was not (L261), of her apparent practice of keeping the Sabbath by “staying at Home” (J324/Fr236/M 115), of her correspondence with several clergymen and her obvious interest in good preaching, and of her many statements expressing both belief and unbelief in poems, letters, and biographical anecdote. She has been claimed as both Catholic and Protestant, Calvinist and anti-Calvinist, firm believer and lifelong skeptic. She has also been identified as a mystic, an antinomian, and an existentialist. There is evidence in Dickinson’s life and work both to confirm and to disprove these claims. Adding to the difficulty for readers is Dickinson’s fondness for ambiguity and paradox, as well as her use of voices that contradict each other when poems on similar subjects are compared side by side. As we discuss
some of these poems, we will not attempt to pin Dickinson down. Instead, we will find a rich and diverse consideration of faith, scripture, theology, prayer, and other spiritual practices that likely will raise more questions than answers and spur us to explore these matters further in our reading of Dickinson and other poets.

Emily Seelbinder served as a Professor of English at Queens University of Charlotte from 1989 until her retirement as a Professor Emerita in 2019. Though she cultivated a reputation there as “the Meanest, Baddest English Teacher on the Planet,” she received the Fuqua Distinguished Educator Award twice and, in 2007, the Hunter-Hamilton Love of Teaching Award. At Queens she developed courses on African American literature and culture and on the U. S. Civil War and American Literature, as well as an interdisciplinary course entitled “Emily Dickinson and Her Descendants.” A self-proclaimed “Dickinson Evangelist” and longtime member of the Emily Dickinson International Society (EDIS) and of the Emily Dickinson Museum, she has frequently led workshops and discussions for high school students, book clubs, public library gatherings, church groups, senior citizens, and the Road Scholars programs of the North Carolina Humanities Council. In 2011 and 2014, she was a member of the faculty for the Museum’s NEH Landmarks of American History and Culture Summer Seminars for K-12 teachers. Her scholarly work has long focused on Dickinson’s use—and abuse—of scripture and on how contemporary composers “read” Dickinson through music. Her publications include a chapter on Dickinson’s Bible in Dickinson in Context (2003), essays in the EDIS Bulletin about musical settings of Dickinson’s work, and, in the Emily Dickinson Journal, an essay on “Teaching Emily Dickinson in the Trenches” (1999) and a review of Divide Light Opera Film (2022).

MAY

Dickinson and Disability Poetics
Description forthcoming.

Clare Mullaney’s research and teaching work at the intersection between nineteenth- and early twentieth-century U.S. literature, disability studies, and material text studies. Her book project, American Imprints: Disability and the Material Text, argues that acknowledging texts as made objects brings into focus how turn-of-the-century authors grapple with physical and mental impairments at the level of textual form. Her work has received awards from the American Antiquarian Society, the Emily Dickinson International Society, the Library Company of Philadelphia, the New York Public Library, the Society for Disability Studies, and the Society for Nineteenth-Century Americanists. She is currently a junior member of the Andrew W. Mellon Society of Fellows in Critical Bibliography and has previously taught at Bryn Mawr and Hamilton Colleges.

VIRTUAL PROGRAM

This free event has limited capacity, we encourage you to register in advance.

REGISTER

In an obituary for Emily Dickinson, her sister in law, Susan Dickinson wrote of the poet’s many “duties beautifully done.” In the wake of Emily’s death, Susan’s own sense of duty and that of her daughter Martha, and Martha’s heir Mary Hampson, preserved the family’s memories of the poet as well as her material legacy. These women of The Evergreens left their own legacies of duty and devotion evident in the condition of the uniquely preserved house today. 

In celebration of Emily Dickinson’s 193rd birthday, and of the 2024 reopening of The Evergreens at the Emily Dickinson Museum, this virtual program invites you into Susan’s, Martha’s, and Mary’s home, only ever lived in by the Dickinsons or their heirs until 1986. Join Jane Wald, Jane and Robert Keiter Family Executive of the Museum, and Martha Nell Smith, co-editor of Open Me Carefully, Dickinson scholar and Distinguished Scholar-Teacher Professor of English at the University of Maryland, as they remember the house during and shortly after the life of its last resident Mary Hampson, who was a mere one-degree of separation removed from Emily Dickinson herself.

All are welcome to this free VIRTUAL program. Space is limited, register in advance.

Give a Birthday Gift
It’s not a birthday party without gifts! If you’re looking to honor Emily Dickinson with a birthday present, please consider a donation to the Museum to support our free virtual programs which are made possible with your support. Gifts of all sizes are deeply appreciated.

DONATE

About Dickinson’s Birthday

Emily Dickinson, the middle child of Edward Dickinson and Emily Norcross Dickinson, was born on December 10, 1830, in the family Homestead on Main Street in Amherst, Massachusetts, now the home of the Emily Dickinson Museum. She celebrated 55 birthdays before her death in 1886. Some of the poet’s most favored themes were time and immortality; she wrote, “We turn not older with years, but newer every day.” (Johnson L379)

IN-PERSON PROGRAM at the Emily Dickinson Museum in Amherst, MA

Please note, due to limited capacity in the Homestead, this free program is SOLD OUT. Walk-ups without tickets will be admitted as space is available.
We encourage you to sign-up for our e-newsletter to be the first to know about upcoming programs: 
emilydickinsonmuseum.org/newsletter-signup/

Want to celebrate Dickinson’s birthday? Join us for the VIRTUAL celebration:
Duties beautifully done: A Dickinson Birthday Celebration [Virtual]

You are cordially invited to the Emily Dickinson Museum’s in-person celebration of the poet’s 193rd birthday! On Saturday, December 9, join us at the Homestead for a free open house with tours, crafts, music, cider and gingerbread cookies!

All are welcome to this free program. Can’t make it to Amherst? Stay tuned for the announcement of our virtual birthday celebration!

Give a Birthday Gift
It’s not a birthday party without gifts! If you’d like to honor Emily Dickinson on her birthday, please consider a donation to the Museum to support our free programs which are made possible with your support. Gifts of all sizes are deeply appreciated.

DONATE

About Dickinson’s Birthday

Emily Dickinson, the middle child of Edward Dickinson and Emily Norcross Dickinson, was born on December 10, 1830, in the family Homestead on Main Street in Amherst, Massachusetts, now the home of the Emily Dickinson Museum. She celebrated 55 birthdays before her death in 1886. Some of the poet’s most favored themes were time and im/mortality; she wrote, “We turn not older with years, but newer every day.” (Johnson L379)

VIRTUAL PROGRAM

This is a paid program with limited seating. See details below!

Registration for this series is now closed.

Save your seat in the Emily Dickinson Museum’s brand new No Frigate Like A Book Club! In this monthly Zoom-based series, you’ll join fellow enthusiastic readers in discussion of novels inspired by the life of Emily Dickinson. Each month we’ll facilitate exciting conversations using discussion frameworks, followed by a meet and greet with the author! The Club is capped at 30 participants, and break-out rooms will be utilized for a portion of each session to hold smaller group conversations.

Participant expectations:

• Be prepared to read one book per month in advance of sessions in October, November, and December. Club members should plan to attend all sessions. 
• Be an active member of the Club, lending your voice to the friendly discussions. 
• Have access to a computer, tablet, or mobile device that allows for use of audio and video in our web-based conference call. The Book Club experience will be best when all participants keep their videos on. 
• Computer-generated closed captioning will be available during all sessions.
• All formats of the books in the series are fine to use, including library loans, used editions, e-readers, etc. 

The 2023 season:

Wednesday, October 18, 12-1PM ET: Optional meet and greet session with fellow Club members
Wednesday, October 25, 4-6PM ET: Emily’s House by Amy Belding Brown
Wednesday, November 29, 4-6PM ET: Because I Could Not Stop for Death by Amanda Flower
Wednesday, December 20, 4-6PM ET: I Heard A Fly Buzz (NEW, forthcoming in November!) by Amanda Flower

About the authors:

Amy Belding Brown is the author of historical novels, including the USA Today bestselling Flight of the Sparrow, Emily’s House and Mr. Emerson’s Wife. A New England history enthusiast, Amy was infused at an early age with the region’s outlook and values. She graduated from Bates College and received her MFA from Vermont College. She now lives in Vermont with her husband, a retired UCC minister and spiritual director. Distantly related to Emily Dickinson, Amy enjoys reading, cooking, painting, and nature photography when she’s not writing.

Amanda Flower is the USA Today bestselling and Agatha Award-winning mystery author of over forty novels, including the nationally bestselling Amish Candy Shop Mystery Series, Magical Bookshop Mysteries, and, written under the name Isabella Alan, the Amish Quilt Shop Mysteries. Flower is a former librarian, and she and her husband, a recording engineer, own a habitat farm and recording studio in Northeast Ohio.

RESERVE YOUR SPOT

Both ticket options include all three discussion sessions.

• Adult Ticket: $75
• Student ticket (College and younger): $60 (current students only, please provide name of institution and graduation year)

with Headliners Marilyn Nelson and Abigail Chabitnoy

HYBRID PROGRAM — In-person at the Emily Dickinson Museum and streaming live for online registrants

This program is FREE to attend. Registration is required. 
Part of the 2023 Tell It Slant Poetry Festival!

Join us for the 11th annual Tell it Slant Poetry Festival, a week of events happening both online and in-person at the Museum! Register here to access the Festival schedule. Your registration for an October 1 ticket, gains you access to the whole Festival:

REGISTER FOR THE FESTIVAL (October 1 ticket is for whole Festival)

Join us in Emily Dickinson’s garden or virtually for a celebration of creativity and poetry! Our headlining poets, Marilyn Nelson and Abigail Chabitnoy, read from their work and discuss their poetic practice and inspiration with Terry Blackhawk. Stay for music by Daphne Parker Powell, refreshments, and book signing under our heated Festival tent.

About the Poets
Marilyn Nelson is the author or translator of some twenty poetry books and chapbooks for adults, young adults, and children. Many of her collections have won awards, and her poems have been widely anthologized. Nelson’s honors include two NEA creative writing fellowships, the 1990 Connecticut Arts Award, a Fulbright Teaching Fellowship (in the South of France!), a fellowship from the J.S. Guggenheim Memorial Foundation, the Ruth Lilly Award, the Robert Frost Medal, and the Wallace Stevens Award. She has served as a Chancellor of the Academy of American Poets, as Poet-in-Residence of the Poets Corner at the Cathedral of St. John the Divine, and as the Poet Laureate of the State of Connecticut. The mother of two and grandmother of two, she lives quietly, retired from a long career in academia, with her daughter and three cats.
Marilyn Nelson will be honored at the Tell It Slant Awards Night.

Abigail Chabitnoy is the author of In the Current Where Drowning Is Beautiful (Wesleyan 2022), How to Dress a Fish (Wesleyan 2019), winner of the 2020 Colorado Book Award for Poetry and shortlisted in the international category of the 2020 Griffin Prize for Poetry, and the lino-cut illustrated chapbook Converging Lines of Light (Flower Press 2020). Abigail is a mentor for the Institute of American Indian Arts MFA in Creative Writing and an assistant professor at UMass Amherst. She is a Koniag descendant and member of the Tangirnaq Native Village in Kodiak. 

HYBRID PROGRAM — In-person at the Emily Dickinson Museum and streaming live for online registrants

This program is FREE to attend. Registration is required. 
Part of the 2023 Tell It Slant Poetry Festival!

REGISTER FOR THE FESTIVAL(October 1 ticket is for whole Festival)

Anna Baryshnikov is an actor and writer who lives in New York City. Select TV roles: Lavinia Dickinson on “Dickinson” (Apple), “Superior Donuts” (CBS), “Prodigal Son” (FOX), “Good Girls Revolt” (Amazon), and “Doll & Em” (HBO). Theater: Sam Hunter’s A Bright New Boise (Signature Theatre), Time and The Conways (Broadway/Roundabout Theater Company) Film: Kenneth Lonergan’s “Manchester by the Sea,” “The Kindergarten Teacher,” “Josie & Jack,” and the upcoming A24 film “Love Lies Bleeding” where she’ll appear opposite Kristen Stewart. Training: Northwestern University.

Adrian Blake Enscoe (He/They) is an actor and musician from Brooklyn, NY. Originally growing up in the woody outlands of Upstate New York, he earned a BFA in Theater at Carnegie Mellon University in Pittsburgh before landing in NYC, meeting his now-wife Sydney Shepherd on a subway, and founding the folk band Bandits on the Run with Shepherd and their close friend Regina Strayhorn. In between writing and touring with the Bandits — whose past few years have included recording their EP Now Is The Time with grammy-winning producer Ryan Hadlock, writing and recording songs for the Netflix series StoryBots, and playing a string of dates at the Singapore F1 Grand Prix — Adrian has been a long time musical collaborator of actor/writer/musician Christopher Sears and developed the role of The Fool in Sears’ Moonchildren Opera. Adrian is also a stage and film actor; in addition to starring as Austin Dickinson opposite Hailee Steinfeld in the Apple TV+ breakout series Dickinson, he originated the role of Little Brother in the world premier of Swept Away (based on the music of the Avett Brothers) and will be reprising the role this coming December at Arena Stage in Washington, D.C. Most recently, Adrian has been developing a musical adaptation of the book What’s Eating Gilbert Grape with writer/director Peter Hedges (Pieces of April) and longtime collaborators Sears, Shepherd, and Strayhorn.

@adrian.blake.enscoe @banditsontherun

Jennifer Moeller is a Tony Award nominated costume designer for theater, opera and TV. Recent credits include Dickinson for AppleTV+, the revival of Lerner & Loewe’s Camelot at Lincoln Center Theater, and Brandon Jacob Jenkin’s new play Comeuppance at Signature Theater. Jennifer is a frequent collaborator of Pulitzer Prize winning playwright Lynn Nottage and designed the Broadway productions of Sweat and Clyde’s for which she received a Drama Desk Award. Jennifer is a graduate of the Yale School of Drama.

Hybrid Program

Part of the 2023 Tell It Slant Poetry Festival

Come read with us and join in for the week-long Emily Dickinson Poetry Marathon! An Emily Dickinson Museum tradition, the Marathon is a group reading of all 1,789 poems by Emily Dickinson over the course of 7 sessions. For this year’s hybrid Festival, some sessions will take place in-person and others online. For the Marathon, we will be reading from Ralph Franklin’s The Poems of Emily Dickinson: Reading Edition. 

Marathon session times and reader sign-ups are located in the Festival platform on Hopin. To access the platform, register for the Festival and look for your e-mail confirmation containing the link to Hopin.

Join us for the 11th annual Tell it Slant Poetry Festival, a week of events happening both online and in-person at the Museum! Register here to access the Festival schedule and sign up to watch or read in Marathon sessions. Your registration for an October 1 ticket, gains you access to the whole Festival:

REGISTER FOR THE FESTIVAL

Schedule:
Monday, September 25:
6pm [Virtual] — Emily Dickinson Poetry Marathon: Part 1, co-hosted by Amherst College’s Frost Library

Thursday, September 28:
12pm [Virtual] — Emily Dickinson Poetry Marathon: Part 4, co-hosted by the Emily Dickinson International Society

Friday, September 29:
12pm [Virtual] — Emily Dickinson Poetry Marathon: Part 5

Saturday, September 30:
9:30am [Hybrid] — Emily Dickinson Poetry Marathon: Part 6

Sunday, October 1:
3pm [Hybrid] — Emily Dickinson Poetry Marathon: Grand Finale

Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival.

2023 Tell It Slant Poetry Festival Schedule

Honoring Marilyn Nelson, Alena Smith, and the Founders of the Emily Dickinson Museum

HYBRID PROGRAM — In-person at Amherst College’s Johnson Chapel and streaming live for online registrants

This program is FREE to attend. Registration is required. 
A celebratory dinner to follow the Awards. Please read below to learn more. 
Part of the 2023 Tell It Slant Poetry Festival!

REGISTER FOR THE FESTIVAL (October 1 ticket is for whole Festival)

Join us for an inspiring evening at the Tell It Slant Awards honoring individuals whose work is imbued with the creative spirit of Emily Dickinson.