VIRTUAL PROGRAM
This virtual program is free to attend. Registration is required.
Parts 2 + 3 are TBA. Sign-up for our e-newsletter to be the first to know!
);
This virtual program is free to attend. Registration is required.
Parts 2 + 3 are TBA. Sign-up for our e-newsletter to be the first to know!
Join us for a lively virtual discussion of Emily Dickinson’s poetry and letters, meeting once a month from February to May. This program is designed to welcome newcomers and seasoned readers of Dickinson alike.
Each session is facilitated by a guest scholar with unique expertise, who leads the group in discussion following an introductory talk. Brief reading handouts will be distributed prior to each month’s program. February and May’s sessions will be extended, for those who would like more time to connect with fellow group members.
As a registrant, you are signing up to join a small group of 30 or fewer regular participants for four 90-minute zoom sessions. Meetings are participatory, with video and audio encouraged. Because we want everyone to feel comfortable speaking, sessions will not be recorded. The program is designed for adult audiences (18+).
Registration is now closed. Thank you for your interest!
Sign up for our e-newsletter to be the first to know about our next Poetry Discussion Group
We are offering an identical program for the Wednesday and Friday groups. Please review the dates carefully. Because space is limited, we hope only those who can commit to attending will register. Refunds are not available for this program.
Wednesday Group, $100 program fee (inclusive of all sessions), limited to 30 participants
February 22, 6-7:30 ET, optional sign-on at 5:30 to meet the group!
March 22, 6-7:30 ET
April 19, 6-7:30 ET
May 17, 6-7:45 ET
Friday Group, $100 program fee (inclusive of all sessions), limited to 30 participants
February 24, 12-1:30 ET, sign on at 11:30 to meet the group!
March 24, 12-1:30 ET
April 21, 12-1:30 ET
May 19, 12-1:45 ET
Reservations are made on a first-come, first-served basis.
Questions: Don’t hesitate to reach out at edmprograms@emilydickinsonmuseum.org with any questions about the program.
“I think the Hemlock likes to stand”: Emily Dickinson’s Trees
Marta McDowell teaches landscape history and horticulture at the New York Botanical Garden and consults for private clients and public gardens. Her latest book, Unearthing The Secret Garden explores the plants and places that inspired Frances Hodgson Burnett to write the classic children’s book. Timber Press also published Emily Dickinson’s Gardening Life, The World of Laura Ingalls Wilder, All the Presidents’ Gardens, and Beatrix Potter’s Gardening Life. All the Presidents’ Gardens made The New York Times bestseller list and won an American Horticultural Society book award in 2017. Beatrix Potter’s Gardening Life won the Gold Award from the Garden Writers Association and is now in its eighth printing. Her books have been translated into Chinese, Japanese and Korean. She is the 2019 recipient of the Garden Club of America’s Sarah Chapman Francis Medal for outstanding literary achievement. martamcdowell.com
The Life That Tied Too Tight Escapes: The Visual Legacy of Dickinson’s Imaginary, featuring the art of Victoria Brookland
Zoë Brigley is the author of three books of poetry published by Bloodaxe: Hand & Skull (2019), Conquest (2012), and The Secret (2007), and recently published chapbooks with Broken Sleep: Aubade After A French Movie (2020), and Verve: Into Eros (2021). She also wrote a collection of nonfiction essays Notes from a Swing State (Parthian 2019) and co-wrote a pamphlet of creative nonfiction with Kristian Evans, Otherworlds: Writing on Nature and Magic (Broken Sleep 2021). Brigley is Assistant Professor in English at the Ohio State University where she produces an anti-violence podcast: “Sinister Myth”. She won an Eric Gregory Award for the best British poets under 30, was Forward Prize commended, and is listed in the Dylan Thomas Prize. zoebrigley.com/
“…an instant’s act:’ Exploring the Architecture and Ecology of Ruins in Dickinson’s Poetry”
Ryan Heryford is Associate Professor of Environmental Literature in the Department of English at California State University East Bay, where he teaches courses in nineteenth and twentieth century American literature, with a focus in cultural narratives of environmental justice. Recent publications can be found in ISLE: Interdisciplinary Studies of Literature and the Environment, The Mark Twain Annual, and The Emily Dickinson Journal.
“Emily Dickinson’s Master Hours”: Reading Dickinson’s Master Letters
Marta Werner is the Martin J. Svaglic Chair in Textual Studies at Loyala University in Chicago. She is the author/editor of Emily Dickinson’s Open Folios: Scenes of Reading, Surfaces of Writing (1995), Radical Scatters: An Electronic Archive of Emily Dickinson’s Late Fragments and Related Texts, 1870-1886 (1999), and Writing in Time: Emily Dickinson’s Master Hours ( 2021). Werner is currently working on two related projects: a sound installation of Dickinson’s bird-poems that seeks to re-conceive the archive as a living, evolving, but also dying space, and a collection of essays titled “‘Conjecturing a Climate’: Reading Dickinson at the End of the World.”
This program is free to attend.
SATURDAY, FEBRUARY 25
Hosted by Emily Dickinson Museum Keiter Family Executive Director Jane Wald
Location: Friendly Reading Room, Frost Library
To Emily Dickinson, phosphorescence, was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Poetry Reading Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. The 2021 Series will be a virtual event to ensure the health and safety of participants. While we are disappointed not to gather together in Amherst, we are excited to connect with a global community of friends and writers. Join us on the last Thursdays of each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.
This program is part of Amherst College’s LitFest, an annual literary festival celebrates the College’s literary life by inviting distinguished authors and editors to discuss the pleasures and challenges of verbal expression — from fiction and nonfiction to poetry and spoken-word performance.
To learn more about LitFest:
amherst.edu/about/literary-amherst/litfest
Tyehimba Jess is the author of two books of poetry, Leadbelly and Olio. Olio won the 2017 Pulitzer Prize, the Anisfield-Wolf Book Award, The Midland Society Author’s Award in Poetry, and received an Outstanding Contribution to Publishing Citation from the Black Caucus of the American Library Association. It was also nominated for the National Book Critics Circle Award, the PEN Jean Stein Book Award, and the Kingsley Tufts Poetry Award. Leadbelly was a winner of the 2004 National Poetry Series. The Library Journal and Black Issues Book Review both named it one of the “Best Poetry Books of 2005.”
Jess, a Cave Canem and NYU Alumni, received a 2004 Literature Fellowship from the National Endowment for the Arts, and was a 2004–2005 Winter Fellow at the Provincetown Fine Arts Work Center. Jess is also a veteran of the 2000 and 2001 Green Mill Poetry Slam Team, and won a 2000–2001 Illinois Arts Council Fellowship in Poetry, the 2001 Chicago Sun-Times Poetry Award, and a 2006 Whiting Fellowship. He presented his poetry at the 2011 TedX Nashville Conference and won a 2016 Lannan Literary Award in Poetry. He received a Guggenheim fellowship in 2018. Jess is a Professor of English at College of Staten Island.
Jess’ fiction and poetry have appeared in many journals, as well as anthologies such as Angles of Ascent: A Norton Anthology of Contemporary African American Poetry, Beyond The Frontier: African American Poetry for the Twenty-First Century, Role Call: A Generational Anthology of Social and Political Black Literature and Art, Bum Rush the Page: A Def Poetry Jam, Power Lines: Ten Years of Poetry from Chicago’s Guild Complex, and Slam: The Art of Performance Poetry.
tyehimbajess.net
Victoria Chang’s forthcoming book of poems, With My Back to the World will be published in 2024 by Farrar, Straus & Giroux and Corsair Books in the U.K. Her most recent book of poetry, The Trees Witness Everything was published by Copper Canyon Press and Corsair Books in the U.K. in 2022, and was named one of the Best Books of 2022 by the New Yorker and The Guardian.
Her nonfiction book, Dear Memory (Milkweed Editions), was published in 2021 and was named a favorite nonfiction book of 2021 by Electric Literature and Kirkus. OBIT (Copper Canyon Press, 2020), her most recent poetry book, was named a New York Times Notable Book, a Time Must-Read Book, and received the Los Angeles Times Book Prize, the Anisfield-Wolf Book Award in Poetry, and the PEN/Voelcker Award. It was also longlisted for a National Book Award and named a finalist for the National Book Critics Circle Award and the Griffin International Poetry Prize. She has also received a Guggenheim Fellowship.
She lives in Los Angeles and is Acting Program Chair and Faculty at Antioch’s low-residency MFA Program. She is the current poetry editor of the New York Times.
victoriachangpoet.com
Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax deductible.
Location: Cole Assembly Hall in Converse at Amherst College
Composer Dana Kaufman screens Emily and Sue, her a cappella pop opera, in a film version shot on location at the Emily Dickinson Museum, and directed by Ron Bashford in collaboration with Four/Ten Media. The opera, which premiered in June 2022 at Amherst College, features soprano Jasmine Muhammad and spotlights the relationship between Emily Dickinson and her sister-in-law Susan Huntington Gilbert Dickinson, exploring themes of isolation, queerness, and forbidden love. Stay for a Q&A after the screening!
TICKETS:
$15/$10 for Folger Shakespeare Library Members
Making Black Cake in Combustible Spaces with M. NourbeSe Philip
With her essay “Making Black Cake in Combustible Spaces” Canadian poet and writer M. NourbeSe Philip dives into the history of Emily Dickinson’s famous Black Cake, exploring the African American/Caribbean and Irish influences on America’s beloved poet.
Philip will read from their work at The Homestead, Dickinson’s home in Amherst, Massacusetts. The reading will be followed by a moderated conversation with Christine Jacobson, Assistant Curator of Modern Books and Manuscripts, Houghton Library.
A former lawyer, M. NourbeSe Philip is the author of works of poetry, fiction, and nonfiction. Her collections of poetry include Thorns; Salmon Courage; She Tries Her Tongue; Her Silence Softly Breaks, which won a Casa de las Américas Prize for Literature; and Zong!, a polyvocal, book-length poem concerning slavery and the legal system. Philip’s numerous honors and awards include fellowships from the Guggenheim Foundation, Rockefeller Foundation, and MacDowell Colony. She is the recipient of awards from the Canada Council for the Arts, Ontario Arts Council, and Toronto Arts Council. In 2001, she was recognized by the Elizabeth Fry Society with its Rebels for a Cause Award, and the YWCA awarded her its Women of Distinction in the Arts Award. Philip has received a Chalmers Fellowship in Poetry and has been writer-in-residence at Toronto Women’s Bookstore and McMaster University.
Each patron will also receive an electronic broadside, a handwritten poem, by M. NourbeSe Philip.
This reading is co-sponsored with The Emily Dickinson Museum.
Want to celebrate Dickinson’s birthday in-person too?
Join us for a free Open House on the poet’s birthday (December 10!):
Emily Dickinson Birthday Open House
Give a Birthday Gift
It’s not a birthday party without gifts! If you’re looking to honor Emily Dickinson with a birthday present, please consider a donation to the Museum to support our free virtual programs which are made possible with your support. Gifts of all sizes are deeply appreciated.
About Dickinson’s Birthday
Emily Dickinson, the middle child of Edward and Emily Norcross Dickinson, was born on December 10, 1830, in the family Homestead on Main Street in Amherst, Massachusetts. She celebrated 55 birthdays before her death in 1886. As an adult she wrote, “We turn not older with years, but newer every day.” (Johnson L379)
You are cordially invited to the Emily Dickinson Museum’s virtual celebration of the poet’s 192nd birthday! On Wednesday, December 7, join us for a behind-the-scenes exploration of the Emily Dickinson Museum’s collections, which contains more than 12,000 artifacts, including family objects such as oil paintings, textiles, furniture, servingware, and other household items.
All are welcome to this free VIRTUAL program. Space is limited, register in advance.
Give a Birthday Gift
It’s not a birthday party without gifts! If you’re looking to honor Emily Dickinson with a birthday present, please consider a donation to the Museum to support our free virtual programs which are made possible with your support. Gifts of all sizes are deeply appreciated.
About Dickinson’s Birthday
Emily Dickinson, the middle child of Edward and Emily Norcross Dickinson, was born on December 10, 1830, in the family Homestead on Main Street in Amherst, Massachusetts. She celebrated 55 birthdays before her death in 1886. As an adult she wrote, “We turn not older with years, but newer every day.” (Johnson L379)
You are cordially invited to the Emily Dickinson Museum’s in-person celebration of the poet’s 192nd birthday! On Saturday, December 10, join us at the Homestead for an Open House. For the first time in 3 years, we’ll be celebrating Dickinson’s birthday from the place she called home. Join us for a free open house at the Homestead with activities, music, and treats!
All are welcome to this free program
Can’t attend in-person? Join us for our virtual celebration!:
Emily Dickinson Virtual Birthday Celebration
Give a Birthday Gift
It’s not a birthday party without gifts! If you’re looking to honor Emily Dickinson with a birthday present, please consider a donation to the Museum to support our free virtual programs which are made possible with your support. Gifts of all sizes are deeply appreciated.
About Dickinson’s Birthday
Emily Dickinson, the middle child of Edward and Emily Norcross Dickinson, was born on December 10, 1830, in the family Homestead on Main Street in Amherst, Massachusetts. She celebrated 55 birthdays before her death in 1886. As an adult she wrote, “We turn not older with years, but newer every day.” (Johnson L379)
The Emily Dickinson Museum’s annual Tell It Slant Poetry Festival is an event with international reach that celebrates Emily Dickinson’s poetic legacy and the contemporary creativity she and her work continues to inspire from the place she called home.
This year’s Festival will be hybrid with events happening online, as well as in-person at the Museum. The 2022 Festival platform is called Sched. Upon registering for the Festival you will receive an email link to access the event schedule, speaker information, and program sign-ups in the platform. All Festival attendees (online and in-person) must sign-up for programs in Sched.
Learn more about the 2022 lineup below.
The Emily Dickinson Museum’s Annual Tell It Slant Poetry Festival is an event with international reach that celebrates Emily Dickinson’s poetic legacy and the contemporary creativity she and her work continues to inspire from the place she called home.
The Festival, which runs each September, is named for Dickinson’s poem, “Tell all the truth but tell it slant,” underscoring the revolutionary power of poetry to shift our perspective and reveal new truths. Festival organizers are committed to featuring established and emerging poets who represent the diversity of the contemporary poetry landscape and to fostering community by placing poetry in the public sphere.
This year’s line-up features workshops, panels, and readings, by a diverse and talented group of poets from around the world including Pulitzer Prize winner Tyehimba Jess. The cornerstone of the Festival, the Emily Dickinson Marathon, is an epic reading of all 1,789 of Emily Dickinson’s poems.
To follow along with the Emily Dickinson Marathon, get your copy of the Franklin edition from the Emily Dickinson Museum Shop.
The annual event attracts a diverse audience of Dickinson fans and poetry-lovers, including students, educators, aspiring writers, and those who are new to poetry and literary events. Past Festival headliners have included Tracy K. Smith, Tiana Clark, Tess Taylor, Ada Limón, Jericho Brown, Franny Choi, Aimee Nezhukumatathil, Paisley Rekdal, Adrian Matejka, Kaveh Akbar, and Ocean Vuong.
Support The Tell It Slant Poetry Festival and Honor Someone Special:
Admission to all Festival events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of this beloved annual event. All gifts are tax deductible and will be recognized as part of the Festival.
The Tell It Slant Poetry Festival is generously supported by The Beveridge Family Foundation, PeoplesBank, and Mass Cultural Council.
Registration for this program is now full. Thank you for your interest.
After years of studying piano as a young woman, Emily Dickinson curated her music book, a common practice at the time. Now part of the Dickinson Collection in the Houghton Library of Harvard University, this bound volume of 107 pieces of published sheet music includes the poet’s favorite instrumental piano music and vocal music. Offering a fresh historical perspective, George Boziwick’s new book brings this artifact to life, documenting Dickinson’s musical study in the early 1850s, which tellingly coincided with the writing of her first poems. Using Dickinson’s letters and poems, Boziwick explores the various composers, music sellers, and publishers behind this music and Dickinson’s attendance at performances, presenting new insights into the multiple layers of meaning that music held for her. Enjoy an illustrated talk followed by live music in the Dickinson family parlor on the 1851 Hallet and Davis piano.
Please note that KN95 masks will be required for all attendees and social distancing will not be possible during the program.
George Boziwick is a musicologist, music librarian, composer and performer. His forty years in public and academic music libraries included thirty-one years with The New York Public Library for the Performing Arts, from which he retired in 2017 as Chief of the Music Division. As a composer, his Magnificat is published by C.F. Peters, and his music has been recorded on the Opus One label among others. George has contributed articles on Emily Dickinson and music to the Journal of the Society for American Music (2014), and the Emily Dickinson Journal (2016). He currently serves on the Board of the Emily Dickinson International Society. George is co-founder with Trudy Williams of The Red Skies Music Ensemble. They co-authored and co-produced a series of programs (2012-2018) on Emily Dickinson and her musical experiences. Two of those programs were sponsored by the Emily Dickinson Museum: “Emily and Lavinia: Music Making and Dickinson’s Eden,” (2018); and “The Musical Parlor of Emily Dickinson,” (2013).
Kit Young is a pianist/composer/devisor, who returned to Washington, DC in 2012 after twenty years living in Thailand, Myanmar and China where she frequently performed contemporary music by Asian composers, co-founded a music school in Yangon and collaborated on performances and recordings with improvising musicians from these countries. In 2018, as a pianist-improviser, Young’s return to reading Emily Dickinson’s poetry after a long hiatus inspired her to cast as extemporaneous song Dickinson’s poems, letters, commentary by family and friends. Imagining Dickinson’s inner aural life, early connection to the piano through repertoire from Emily Dickinson’s Music Book, church hymns, her ensouling the beauty of non-human sounds invites engagement with aurality. What Miss Dickinson Heard… And Didn’t is Young’s chamber opera for duo-pianists and vocal quartet. The opera follows a large arc of the poet’s life as if it were one day by exploring Dickinson’s depth of auditory artistry through improvisation evoking music and environmental sound – expressed in her poetry and letters.
Support The Emily Dickinson Museum:
Admission to this program is free of charge, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax deductible.
This virtual program is free to attend. Registration is required.
To Emily Dickinson, phosphorescence, was a divine spark and the illuminating light behind learning — it was volatile, but transformative in nature. Produced by the Emily Dickinson Museum, the Phosphorescence Poetry Reading Series celebrates contemporary creativity that echoes Dickinson’s own revolutionary poetic voice. The Series features established and emerging poets whose work and backgrounds represent the diversity of the flourishing contemporary poetry scene. The 2021 Series will be a virtual event to ensure the health and safety of participants. While we are disappointed not to gather together in Amherst, we are excited to connect with a global community of friends and writers. Join us on the last Thursdays of each month to hear from poets around the world as they read their work and discuss what poetry and Dickinson mean to them.
Eleanor Hooker is an Irish poet and writer. Her third poetry collection Of Ochre and Ash (Dedalus Press) is the recipient of the 2022 Michael Hartnett Award. Her other poetry collections with Dedalus Press are: A Tug of Blue (2016) and The Shadow Owner’s Companion (2012), shortlisted for the Strong/Shine Award for Best First Irish Collection 2012. Her chapbook Legion (Bonnefant Press, Netherlands) was published in 2021, and Where Memory Lies, a 2021 recipient of the Markievicz Award, is due for publication by Bonnefant Press in 2023. Eleanor’s poetry has been published internationally in Ireland, UK, USA, Holland, Romania, Hungary, India, Australia and Italy (forthcoming). Her work has appeared in literary journals including Poetry Ireland Review, POETRY, Poetry Review, PN Review, Agenda, The North, The Stinging Fly, Winter Papers, New Hibernia Review, New England Review (forthcoming), Archipelago (forthcoming). Eleanor is currently a PhD candidate at the University of Limerick. She holds an MPhil in Creative Writing from Trinity College, Dublin, an MA in Cultural History from the University of Northumbria, and a BA from the Open University. Eleanor is a Fellow of the Linnean Society of London. She’s a helm and Press Officer for Lough Derg RNLI Lifeboat. She began her career as an Intensive Care Nurse and trained as a midwife at the National Maternity Hospital, Dublin.
eleanorhooker.com
Cori A. Winrock, author of Little Envelopes of Earth Conditions (Alice James Books 2020), is a poet/multimedia essayist. Her book-length lyric essay, Alterations, is forthcoming from Transit Books as part of their Undelivered Lectures series. She is the winner of the Boston Review Poetry Prize and her essay on twins was selected as a notable essay in Best American Essays 2020. Her work has appeared in Poetry, the Best New Poets anthology, Bennington Review, Black Warrior Review, West Branch, Fairy Tale Review and elsewhere. Winrock holds an MFA from Cornell University and a PhD in Literature and Creative Writing from University of Utah. Winrock is currently a Visiting Assistant Professor at Western Washington University.
coriwinrock.com
Support Phosphorescence and Honor Someone Special:
Admission to all Phosphorescence events is free, but online donations, especially those made in honor or memory of family, friends, or colleagues are heartily encouraged and vital to the future of our programs. All gifts are tax deductible.