Wide shot of the Parlor at the Homestead

The Props assist the House:
Restoring the Homestead (Part 2)
Thursday, August 19, 6-7pm

The Props assist the House
Until the House is built
And then the Props withdraw
And adequate, erect,
The House support itself

– (fragment F729)

VIRTUAL PROGRAM

This program is free of charge, but participants must register in advance and donations are encouraged.
Thursday, August 19, 6-7pm
REGISTER FOR THIS PROGRAM

In the second of this three-part series, go behind the scenes of the restoration of Emily Dickinson’s home with Museum Executive Director Jane Wald and special guest Marylou Davis, conservator and specialist in historic decorative finishes. The Emily Dickinson Museum is currently embarking on the most significant restoration project to date of the interior architectural features, finishes, and furnishings of the revered poet’s Homestead. This work will not only triple the amount of restored space in the Homestead accessible to guests, but will also add critical details to our understanding of Dickinson’s daily life by providing a more authentic experience of the house she inhabited. In this virtual program, learn how the documentary record yields clues about this historic house and hear first-hand about the research and decisions that go into restoration work.

Marylou Davis is a specialist in documentation, conservation, design, and replication of decorative paints and gilding on historic architectural surfaces and objects. Davis’ work includes: replications of 19th-century factory made block printed floorcloths installed at the Gardner-Pingree House, Peabody Essex Museum in Salem, MA and the Harriet Beecher Stowe House in Hartford, CT; replicated flame mahogany wood graining at Boscobel Restoration at Garrison, NY, and cedar graining in the George Washington bedchamber at the Joseph Webb House in Wethersfield, CT. Marylou’s’ work has increasingly turned toward project management for restoration projects within historic churches and house museums. At the Emily Dickinson Homestead she has worked with Director Jane Wald in surveying extant physical and written evidence toward the restoration now in progress.

For more information, visit www.preservationct.org/marylou-davis-inc-2

Circular image of the Earth with Emily's handwriting overlaid atop

Emily Dickinson International Society
Annual Meeting
August 6 – 7

Emily Dickinson International Society

“‘Stratford on Avon’ – accept us all!”

Dickinson and Shakespeare:

2021 Annual Meeting

VIRTUAL PROGRAM
August 6+7
REGISTER

View the schedule

In collaboration with the Emily Dickinson Museum, the 2021 EDIS Annual Meeting will be held remotely on August 6+7, 2021. This year’s focus is Dickinson’s great love of Shakespeare with a variety of scholarly panels, lectures, and workshops.

Discuss aspects of Dickinson’s reading of or response to Shakespeare, and compare Dickinson’s and Shakespeare’s writings. Consider Shakespeare’s place in Dickinson’s society and literary culture and how Dickinson’s contemporaries engaged with Shakespeare.

Highlights include a keynote lecture by Adeline Chevrier-Bosseau, seminar-discussions led by Páraic Finnerty and Martha Nell Smith, Shakespeare readings, special Shakespeare-related tours of the Dickinson Museum and an exhibit of watercolors by Victoria Dickson. More details will be forthcoming in the next few weeks. Join the Emily Dickinson International Society for an opportunity to discuss the connections between these two extraordinary writers this summer!

2022 Tell It Slant Poetry Festival Call for Proposals

The Emily Dickinson Museum is now accepting proposals for the tenth annual Tell It Slant Poetry Festival, held September 19-25, 2022!

Produced by the Emily Dickinson Museum, with support from the Beveridge Family Foundation and Mass Cultural Council, the Tell It Slant Poetry Festival celebrates the poetic legacy of Emily Dickinson and the contemporary creativity of the Pioneer Valley and beyond.

The Festival’s name “Tell It Slant” (new in 2020), was selected in homage to Dickinson’s poem, “Tell all the truth but tell it slant.” This title underscores the revolutionary power of poetry to shift our perspective and reveal new truths. The Tell It Slant Poetry Festival remains committed to featuring and serving established and emerging poets who represent the diversity of the flourishing contemporary American poetry scene, and to fostering community by placing poetry in the public sphere. To see our 2021 Festival schedule click here.

The 2022 Festival returns to the Emily Dickinson Museum with a combination of in-person and virtual programs. We invite you to “dwell in possibility” and submit your most inventive proposals for audience-centered performances, workshops, panel discussions, and programs.

The Steering Committee especially welcomes the following:

Submissions from groups of 2 – 5 facilitators
Submissions that engage young attendees and those new to poetry
Submissions that creatively encourage audience participation or that foster a sense of community

Honoraria are provided per event.

Proposals should be designed for one of the following program types to be scheduled September 19-25 (You may submit separate forms if proposing more than one program):

IN-PERSON GENERAL AUDIENCE PROGRAMS:

Poetry workshops, panels, or other participatory programs open to the public. Event sessions are typically 60- to 90-minutes long.
$250 honoraria offered per event.

IN-PERSON GENERAL AUDIENCE PERFORMANCES:

Music, theater, dance, or other performance open to the public. Submissions should be for 60- to 90-minute programs.
A $500 honorarium is offered for this program.

VIRTUAL PROGRAMS:

Poetry workshops, panels, or participatory programs open to the public and hosted on the Festival’s remote conferencing platform. Virtual programs must be designed for a minimum of 50. Proposals may also be designed for an unlimited number of Festival registrants.
$250 honoraria offered per event.

HIGH SCHOOL WORKSHOPS (to be held in person and scheduled during the school day between Monday, September 19th and Friday, September 23rd):

Private poetry workshops for classes of high school age students (grades 9-12). Submissions should be for 45-minute sessions offered up to four times between 7:50am and 3pm EST. Partner schools will be shared with selected poets and will include schools in Hampshire and Hampden counties.
A $350 honorarium is offered for the day’s workshops.

Submission Guidelines:

Only submissions made in the online form will be considered. There is no fee to submit proposals.
To complete your submission, please upload the following to this Dropbox folder:
- The resumes/CVs of all presenters.
- If appropriate, up to 3 sample poems per group member.
- Any desired links, audio, or video files of performances or facilitation.
- High resolution headshots of all presenters.
All your materials as listed above should be titled by your PROGRAM TITLE. You may upload materials as one zipped file or individually. We can accept .pdf, .doc, .doc(x) files. If applicable, you may upload images in .png, .jpg, or .gif form and audio files in .mp3, .aac, or .wav form.
Selected facilitators will be notified by the end of July and will be asked to sign a letter of agreement confirming their participation in the Festival.
Submissions Due: Sunday, July 17 at 11:59PM, EST.

Submissions will be judged on the following:

Originality – Is your idea bold and intriguing? Will it offer something new to our Festival?
Quality – Does the submission reflect thoughtful preparation? How are you uniquely qualified to facilitate this program?
Audience – Have you clearly outlined participatory elements? How does your proposal contribute to community-building for the Tell It Slant Poetry Festival?
Special consideration will be given to Pioneer Valley and Massachusetts-based facilitators.

SUBMIT YOUR PROPOSAL

Questions? Email us at edmprograms@emilydickinsonmuseum.org

The Props assist the House -:
Restoring the Homestead (Part 1)
Thursday, July 15, 6-7pm

The Props assist the House
Until the House is built
And then the Props withdraw
And adequate, erect,
The House support itself

– (fragment F729)

VIRTUAL PROGRAM

This program is free of charge, but participants must register in advance and donations are encouraged.
Thursday, July 15, 6-7pm
REGISTER FOR THIS PROGRAM

In the first of a three-part series, go behind the scenes of the restoration of Emily Dickinson’s home with Museum Director Jane Wald. The Emily Dickinson Museum is currently embarking on the most significant restoration project to date of the interior architectural features, finishes, and furnishings of the revered poet’s Homestead. This work will not only triple the amount of restored space in the Homestead accessible to guests, but will also add critical details to our understanding of Dickinson’s daily life by providing a more authentic experience of the house she inhabited. In this virtual program, learn how the documentary record yields clues about this historic house and hear first-hand about the research and decisions that go into restoration work.

Jane H. Wald is Executive Director of the Emily Dickinson Museum. Before beginning her tenure at the Dickinson sites in 2001, she worked at Old Sturbridge Village in Sturbridge, Massachusetts. In her tenure at the Emily Dickinson Museum she has been led several major restoration and documentation studies of the houses, including the reconstruction of the poet’s conservatory, restoration of the poet’s bedroom and library, restoration of the Dickinson hedge and fence, and the creation of the Dickinson property Cultural Landscape Report and The Evergreens Historic Structures Report. Wald is the author of “‘Pretty much all real life’: The Material World of the Dickinson Family,” in the Blackwell Companion to Emily Dickinson (2008), and “The ‘Poet Hunters’: Transforming Emily Dickinson’s Home into a Literary Destination,” in the Emily Dickinson Journal (2018).

Two Anenomes grow in front of the Homestead

“Bloom – is Result – to meet a Flower”: Dickinson’s Flowering Favorites with Marta McDowell
Friday, June 25, 12:30pm

Bloom – is Result – to meet a Flower
And casually glance
Would cause one scarcely to suspect
The minor Circumstance

Assisting in the Bright Affair
So intricately done
Then offered as a Butterfly
To the Meridian –

(Excerpt Fr1308)

This program is free of charge, but participants must register in advance and donations are encouraged.
Register

VIRTUAL PROGRAM

In this beloved poem, Emily Dickinson ends, “To be a Flower, is profound Responsibility – “. Indeed, as the poet knelt on her red wool army blanket to tend her garden across the seasons, she understood the weight of each bloom in her hands as a miraculous force. Observing keenly the lifespan of every blossom, the weather it endured and the fauna it encountered, Dickinson transformed her garden knowledge into hundreds of poems inspired directly by her garden.

In this virtual program, join Marta McDowell, master gardener, landscape historian, and author of Emily Dickinson’s Gardening Life for a close look at blooming cultivars from the Homestead in Amherst. We’ll spend an hour savoring blossoms, stories, and verse gathered from Dickinson’s gardens. Learn to identify these Dickinsonian varieties and listen to the language they inspired from our favorite garden poet.

About Marta McDowell:
Marta McDowell teaches landscape history and horticulture at the New York Botanical Garden and consults for private clients and public gardens. Her book Emily Dickinson’s Gardening Life, was published in 2019. Timber Press also published The World of Laura Ingalls Wilder, New York Times-bestselling All the Presidents’ Gardens, and Beatrix Potter’s Gardening Life, now in its seventh printing. Marta’s newest book, Unearthing The Secret Garden about author Frances Hodgson Burnett, is due out from Timber Press in September 2021. She is the 2019 recipient of the Garden Club of America’s Sarah Chapman Francis Medal for outstanding literary achievement.

To learn more about Marta or purchase her books visit www.martamcdowell.com

Headshots of Alena Smith and Martha Ackmann

A Secret told:
An Evening with Alena Smith and Martha Ackmann
Wednesday, June 30, 7pm

VIRTUAL PROGRAM

Emily Dickinson is having a moment. The enigmatic poet’s popularity has surged in recent years, thanks in part to fresh interpretations and perspectives offered up by a new wave of curious and talented artists, writers, and thinkers.

We’re delighted to invite our donors to join Museum Director Jane Wald as she welcomes Alena Smith, creator of the award-winning Apple TV+ series Dickinson, and Martha Ackmann, author of These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson, to a virtual event broadcast from the Dickinson Homestead in Amherst, MA.

Enjoy a lively conversation about Emily Dickinson and her enduring legacy, while you sip on the evening’s signature cocktail:

The Bee’s Knees

2 ounces gin (for mocktail, substitute w/ 2 ounces of ginger ale)
3/4 oz fresh lemon juice
3/4 oz honey syrup (1 TBSP honey mixed with 1/2 TBSP warm water)

Combine ingredients and shake with ice. Strain and pour into a coupe glass. Garnish with a lemon twist. Enjoy!

This program is free to donors who’ve supported the Museum this past year. To those who have already donated, we sent an email with a complimentary registration link.
Please contact connect@emilydickinsonmuseum.org if you need another invitation by email.
In case you are unable to attend, a recording of the event will be shared to all those who register for the program.

Not a donor, but still want to attend? You’re invited!
Become a donor today and register.

About the speakers:

Alena Smith Alena Smith is a playwright and TV writer. She is the creator, showrunner and executive producer of the critically-acclaimed series “Dickinson” starring Hailee Steinfeld as Emily Dickinson, which recently aired its second season on Apple TV+, and is currently in production on its third. Dickinson won a Peabody Award in the category of Entertainment, and was nominated for a GLAAD Media Award for Outstanding Comedy series.Smith previously served as a writer and producer for Showtime’s The Affair and HBO’s The Newsroom. Variety said of her play Icebergs, which had its world premiere in 2016 at the Geffen Playhouse in Los Angeles, “Smith shows impeccable comic timing, and also knows how to layer her drama with pathos.” Other published plays include The Bad Guys, Plucker, The Lacy Project, and The New Sincerity, which The New York Times called “Splendid… entertaining and thought-provoking… comedy with a poignant edge.”
Learn more: New Yorker

Martha Ackmann is a journalist and author who writes about women who have changed America. Her essays and columns have appeared in The New York Times, Paris Review, and The Atlantic. She also is a frequent commentator for New England Public Radio, and has been featured on CNN, National Public Radio, and the BBC. Martha’s award-winning books include The Mercury 13: The True Story of Thirteen Women and the Dream of Space Flight, Curveball: The Remarkable Story of Toni Stone, First Woman to Play Professional Baseball in the Negro League, and These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson. A long-time member of the Gender Studies Department at Mount Holyoke College, Martha taught a popular seminar on Emily Dickinson in the poet’s house, now the Emily Dickinson Museum, in Amherst, Massachusetts.
Learn more: marthaackmann.com

Virtual Poetry Discussion Group
May 18 & May 28

The Emily Dickinson Museum’s Poetry Discussion Group meets monthly, September through May, for lively conversation about Emily Dickinson’s poetry and letters.

Join us on Tuesday, May 18 or Friday, May 28 from 1pm to 2:30pm EST on Zoom. Space is limited. To request a space, please fill out this registration form.

This program is free of charge, but we encourage those who are able to do so to make a donation after the program.

“Receiving Emily: Dickinson’s Addressed Poems”

In this session, we will look closely at the social life Emily Dickinson created with her poetry. While certainly not a social butterfly, Dickinson was nevertheless extensive in her social calls via the poetry she sent in, with, or as letters. What was it like to receive a poem from Emily? Through a discussion of poems and their variants, we will consider the ways she addressed her friends and acquaintances, and how we are addressed by her today. Poems for discussion include: variants of “Except the smaller size” (Fr606); variants of “Your – Riches – taught me – poverty!” (F418) and more.

About the Facilitator
Judith Scholes is Assistant Professor of English at St. Mark’s and Corpus Christi Colleges at the University of British Columbia, in Vancouver, Canada. She has a PhD in English from UBC, and specializes in nineteenth-century American print culture, women’s poetry and editing, and Emily Dickinson. She is currently completing a book that examines the rhetoric of women’s poetry as it emerged in mid-nineteenth century American periodicals, and shaped Emily Dickinson’s understanding and representation of herself as a poet. She is also pursuing a new book-length project that investigates the existence and rhetoric of women’s editorial work at U.S. daily newspapers during the first 70 years (~1830-1900) of women’s presence in newsrooms. Her work has appeared in the Emily Dickinson Journal, American Periodicals, and is forthcoming in the Oxford Handbook of Emily Dickinson.

Questions? write edmprograms@emilydickinsonmuseum.org

Annual Poetry Walk
Saturday, May 15, 11:30am

VIRTUAL PROGRAM

“Called Back”: A Virtual Emily Dickinson Poetry Walk
Saturday, May 15, 11:30am ET

Days before her death in 1886, Emily Dickinson wrote her final letter, “Little Cousins, / Called Back. / Emily”. On May 15, the 135th anniversary of the poet’s death, join the Emily Dickinson Museum for an engaging virtual poetry reading and “walk” through Amherst, the town she called “paradise.” At each stop we will see historical and contemporary images of sites of meaning for Dickinson including her garden and conservatory at the Homestead, The Evergreens — home to the poet’s brother and sister-in-law, the town common, Amherst College, and more. Not a lecture, this program infuses place with poetry. At each stop contemporary poets share their Dickinson-inspired poems and volunteers read Dickinson’s own words aloud. The final stop is Dickinson’s grave in West Cemetery where we will share reflections and a light-hearted virtual toast! This year’s Poetry Walk is part of Mass Poetry’s 2021 Massachusetts Poetry Festival.

Registration for this program is free or by donation but it is required in advance.

A Daisy for Dickinson: Be a part of a beloved tradition of outfitting Emily Dickinson’s final resting place at Amherst’s West Cemetery with fresh daisies on the anniversary of her death. Make a supporting donation to the Museum in honor of Emily or in memory of someone you’ve loved and lost, and we’ll place a daisy in their name at the poet’s grave as part of this year’s Poetry Walk (May 15).

We hope you enjoyed this beloved tradition of honoring Emily Dickinson on the anniversary of her death. If you would like to make a supporting gift to the Museum in honor of Emily or in memory of someone you’ve loved and lost, you may do so below.

Rewatch:

DONATE

About the participating poets:

Elizabeth Bolton has a PhD in Literacy Education from the Ontario Institute for Studies in Education. She writes articles, essays and poems about the connection between writing and mental health. She grew up in northern California and now lives in Niagara Falls, Ontario with her husband and two daughters.

Lori Desrosiers’ poetry books are The Philosopher’s Daughter, Sometimes I Hear the Clock Speak, and Keeping Planes in the Air, all from Salmon Poetry. Two chapbooks, Inner Sky and Typing with e.e. cummings, are from Glass Lyre Press. She edits Naugatuck River Review, a journal of narrative poetry and Wordpeace.co, an online journal dedicated to social justice. http://loridesrosierspoetry.com

Hannah Baker Saltmarsh is the author of the poetry collection, Hysterical Water, published by The University of Georgia Press in March 2021. She has written a book of poetry criticism, entitled Male Poets and the Agon of the Mother: Contexts in Confessional and Post-confessional Poetry (Univ. of South Carolina P., 2019). She is the mother of three children, and lives with her husband in Cedar Rapids, Iowa, where she teaches and writes.

Kate Godin lives in Western Massachusetts, where she tends to the writing needs of a small liberal arts college, a tween and a teen, a vigorous anxiety, and her poetry (which can be found at kategodin.com). She is a graduate of Bates College and the New School for Social Research.

Bonnie Larson Staiger is a North Dakota Associate Poet Laureate, the recipient of the ‘Poetry of the Plains and Prairies Prize (NDSU Press, 2018) and the ‘Independent Press Award: Distinguished Favorite’ (2019) for her collection, Destiny Manifested. Her second book In Plains Sight, is forthcoming from NDSU Press in 2021. www.bonniestaiger.com

Robin Long (@theotherdickinson) is a queer poet and writer from Austin. She is expanding her fiction thesis on Emily Dickinson, The Other Dickinson, and can be found at theotherdickinson.com. She is a Pushcart Prize nominee, 2020 National Poetry Month Editor’s Pick, and a digital poetry performer with FEELS Zine.

Siri Palreddy is a first-year at Amherst College, hoping to study both English and Neuroscience. An avid reader, she first discovered Emily Dickinson in high school, and has loved her work ever since. Apart from poetry, Siri enjoys writing creative nonfiction and is compelled by stories that navigate one’s identity (or identities) and roots. When not reading or writing, you can find Siri spending her free time volunteering, laying in the sun, or rewatching her favorite comfort shows. https://siridhatripalreddy.wixsite.com/website-1

Peter Schmitt is the author of six books of poems. “Emily Dickinson and the Boston Red Sox” appears in his new collection, Goodbye, Apostrophe (Regal House). A graduate of Amherst and The Iowa Writers Workshop, he lives and teaches in his hometown of Miami, Florida.

Don Skoog is a freelance musician, writer, and teacher living in Oak Park, Illinois. He plays Classical percussion and Jazz drums, as well as Latin American, Arabic, and Persian instruments. He authors books and articles on exploring culture through music—the latest, in Arabic, for The University of Chicago’s Majala magazine—and has written four novels (not all of them published yet). The poem Amherst, is from Adventures in the RhythmVerse, his first chapbook. www.contemporarymusicproject.com

Rebecca Starks is the author of the poetry collections Time Is Always Now, a finalist for the 2019 Able Muse Book Award, and Fetch, Muse (forthcoming from Able Muse Press), and is the recipient of Rattle’s 2018 Neil Postman Award for Metaphor. She lives in Richmond, Vermont. https://rebeccastarks.com

Abigail Price is a 24 year old English poet, writer and Undergraduate student studying Criminology, Criminal Justice and Social Policy at the University of Wolverhampton in England. Most of Abigail’s work is inspired by her past and significantly, nature which aided her recovery from mental illness in her early teenage years. Abigail is an avid writer & reader and her dream is to influence social change through British politics alongside writing beautiful poetry to leave people a little bit better, than when her poems found them. https://abigailtoriprice.wixsite.com/nerve

This program is co-presented with Mass Poetry.

The Massachusetts Poetry Festival, a biennial event based in Boston, MA, returns May 13-16, 2021 for a virtual showcase featuring 50+ readings panels, workshops, performances and more. Find more information or register for other Festival events today at festival.masspoetry.org.

“A Mighty Room” Virtual Studio Session: Bedroom
Friday, May 7, 12-1pm

Sweet hours have perished here;

This is a mighty room;

Within its precincts hopes have played, —

Now shadows in the tomb.

-J1767

VIRTUAL PROGRAM

Space is limited for this program and you may be added to a waitlist.
Update: Registration for this program has filled.

Spend a “sweet hour” in Emily Dickinson’s creative space where she penned her startling poetry. Whether you are a writer, an artist, a composer, or a poet, you’ll find solace and inspiration for your artistic output in Emily Dickinson’s bedroom. Let this quiet virtual experience jumpstart your next creative journey.

What to expect: As one of a limited number of remote participants, you will need to find a quiet spot with a good internet connection from which to be immersed in a live feed from the poet’s bedroom in the Dickinson family Homestead. Plan to have your camera and audio on. In this room Dickinson found freedom working up late by lamplight. A facilitator in the room welcomes you and gently guides you through three inspirational writing prompts to help you explore this unique physical and psychic space and unleash your own creativity over the course of the hour. Focused on reflection and quietude, this program is not a writing workshop, but you will have the opportunity at the end for a short share-out with the group if you wish.

Virtual Poetry Discussion Group
April 16 & April 20

The Emily Dickinson Museum’s Poetry Discussion Group meets monthly, September through May, for lively conversation about Emily Dickinson’s poetry and letters.

Join us on Friday, April 16 from 12pm to 1:30pm EST or Tuesday, April 20, from 6pm to 7:30pm EST on Zoom. Space is limited, and registration for this program is now closed.

This program is free of charge, but we encourage those who are able to do so to make a donation after the program.

Topic: “We – Bee and I – live by the quaffing –”: Exploring Emily Dickinson’s Bees
Bees were incredibly popular figures in nineteenth-century American poetry: Emerson’s “The Humble-Bee” is one celebrated example, but bees also play prominent roles in poems by Henry David Thoreau, Edgar Allan Poe, John Greenleaf Whittier, Priscilla Jane Thompson, among many others. What distinguishes Emily Dickinson from these other poets is the breadth of her representations of bees. Dickinson’s use of bees lends itself to discussion of a remarkably rich array of themes: gender and sexuality, class and race, scientific and ecological discourse, religion, and aesthetics (and no doubt many more). Reflecting on this symbolic density, our discussion will chart points of congruity and incongruity between Dickinson’s changeable bees.

About the Facilitator
Claire Nashar is a scholar, translator, editor, and poet. She earned her Ph.D. from the University of Buffalo (SUNY), supported by a Mellon/ACLS Dissertation Completion Fellowship. Winner of an Excellence in Teaching Award, she has published two books of poems, Lake (2016) and Handmade (2015) and a number of interviews, translations, poems, and critical essays. She edited a special issue of Formes Poétiques Contemporaines and is at work on a book-length translation of Louis Aragon’s Le Fou d’Elsa (1963). Nashar served as curator of the online Australian Poetry Library and as Assistant Project Editor and Manager for the Marianne Moore Digital Archive.

Questions? write edmprograms@emilydickinsonmuseum.org

VIRTUAL PROGRAM

VIRTUAL PROGRAM August 6+7 REGISTER

Submission Guidelines:

VIRTUAL PROGRAM

VIRTUAL PROGRAM

VIRTUAL PROGRAM

About the speakers:

VIRTUAL PROGRAM

VIRTUAL PROGRAM

VIRTUAL PROGRAM
August 6+7
REGISTER