IN-PERSON PROGRAM
‘Mild Nights!’ at the Emily Dickinson Museum
Spend an evening in Emily Dickinson’s home, in quiet community with fellow creatives! For Dickinson, everyday life was a wellspring of poetic imagination, and evidence suggests she put pen to paper whenever and wherever that inspiration struck. Reserve a desk in one of the Homestead’s restored 19th-century spaces where the poet spent her own ‘Wild Nights!’.
On this decidedly mild night, participants can write letters, compose poetry or prose, draw, read, or contemplate for two uninterrupted hours. A tour guide welcomes the group with a brief orientation to the house, and each participant is provided with a chair and a small writing table with a desk light in their designated space.
2025 Sessions
Thursday, January 23, 5-7pm
Thursday, February 13, 5-7pm
Pricing: $65 per person
Rooms
The Parlors (4 seats): A double room on the first floor with spaces for family time and entertaining. Find yourself seated near the portrait of the Dickinson children, an original Italianate marble fireplace mantel, or an 1852 square piano amid plush fabrics and cool tones once enjoyed by Amherst’s elite.
The Library (2 seats): A cozy room on the first floor where Emily Dickinson accessed the literary world through the family’s vast collection of verse and prose, news subscriptions, and academic texts. The poet’s conservatory opens into this room.
Emily Dickinson’s Bedroom (2 seats): The southwest room on the second floor where the poet spent her most private writing time. Find yourself surrounded by the rose-patterned wallpaper and personal effects, including her sleigh bed.
Northwest Bedchamber (1 seat): This second floor bedroom was a refuge for Emily Dickinson’s mother in her final years. The poet spent significant time caring for her mother in this space, which features an original wallpaper pattern and family art and furniture.
Learn more about these spaces through the Virtual Exploration.
Find out about accessibility at the Museum.
‘Mild Nights!’ are intended to be quiet experiences, but you will likely be sharing a space with other participants. Looking for a solo experience? Check out private Studio Sessions in Emily Dickinson’s bedroom.
Program Guidelines:
- Registration closes two weeks prior to the event date. Each session requires a minimum of six participants to run. In the case of cancelation, ticket purchasers will be notified two weeks before their session and their ticket will be refunded or rescheduled.
- Photo ID must be presented upon arrival for your session and a photocopy will be made which will be destroyed after your session.
- The door to rooms in use will remain open, and staff will be present nearby at all times. Participants must remain in the designated area of the room and may not touch the historic furnishings.
- Bags, food, and beverages other than bottled water must be left in the designated area of the tour center.
- No pens, inks, or paints permitted. Pencil and paper or electronic device only. Other materials must be approved by special request in advance. Outlets may not be available; please arrive with your device fully charged.
- Participants agree to help maintain a quiet environment for all.
- Photography for non-commercial, personal use is permitted.
- Refunding and rescheduling are at the discretion of the Emily Dickinson Museum. Unless a session is canceled by the Museum, ticket refunds or rescheduling are not permitted except in the case of emergency.
Please direct questions to EDMPrograms@emilydickinsonmuseum.org.
Musical performance featuring the poems of Emily Dickinson with music and lyrics by Rosemary Caine!
Join us in Emily Dickinson’s garden or virtually for a celebration of creativity and poetry! Our headlining poets, 2023 Pulitzer Prize winner Carl Phillips and Sebastian Merrill, read from their work and discuss their poetic practice and inspiration with moderator Kirun Kapur.
Nicole Callihan, Pichchenda Bao, and Jennifer Franklin, the editors of Braving the Body (Harbor Editions, 2024) will discuss a group of Dickinson’s poems about the body and embodied experience, particularly her exploration into the often-contradictory needs between body and mind. We will also read a selection of contemporary poems by women and non-binary poets from Braving the Body who have been inspired by Dickinson’s work. We will provide prompts for a generative writing exercise inspired by Dickinson and/or the poems from the anthology. There will be time for interested participants to share their drafts and to receive feedback from the editors.
Just what does a Poet Laureate do? You have questions and we have answers! Two poets from New England will share their poetic work as well as discuss the programs they implemented for their own communities. They will also discuss how they became Poet Laureates, what kinds of opportunities are available through their positions, as well as what sort of pitfalls are present in navigating the role of public poet.
From invention to revision, this generative workshop will attend to the possibilities of creating new work that is in-tune with a subject that haunts you. We will be looking at how to write and sustain work within a singular focus, obsession, or motif. This workshop introduces poems and works paired with exercises that allow the writer to be haunted by a subject, inviting writers to seek new possibilities, and perhaps provide outlets to future projects and poems. We’ll explore models of poems and hybrid works by authors that find themselves, suddenly facing the ghosts that visit them frequently. Ultimately, we will look to lines from Dickinson that declare:
Like us, Emily Dickinson lived in a time of ecological change and painful civil conflict. Against this backdrop, Dickinson’s poems reach out to the world around her—the frog, the snake, the hummingbird, train, “slant of light,” even the “loaded gun,” addressing these others as companions, fellow witnesses. In this panel, poets Carolina Ebeid, Julia Guez, Anna V. Q. Ross, and Tess Taylor will explore both Dickinson’s and their own dialogues with the nonhuman. The poets will read poems by Dickinson in conversation with each other’s work to plumb that site in which “surpassing/Material Place—” we might instead “Dwell in Possibility.” We follow with writing prompts and conversation.